The yellow book, an illustrated quarterly. Vol. 1, April 1894
General
The yellow book, an illustrated quarterly. Vol. 1, April 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
I had no wish whatever to be rude to Mr. Morrow, I was much too
initiated not to prefer the safety of other ways; but I had a quick
inspiration and I entertained an insurmountable, an almost superstitious
objection to his crossing the threshold of my friend's little lonely,
shabby, consecrated workshop. "No, no--we sha'n't get at his life that
way," I said. "The way to get at his life is to--But wait a moment!" I
broke off and went quickly into the house; then, in three minutes, I
reappeared before Mr. Morrow with the two volumes of Paraday's new book.
"His life's here," I went on, "and I'm so full of this admirable thing
that I can't talk of anything else. The artist's life's his work, and
this is the place to observe him. What he has to tell us he tells us
with _this_ perfection. My dear sir, the best interviewer's the best
reader."
Mr. Morrow good-humouredly protested. "Do you mean to say that no other
source of information should be opened to us?"
"None other till this particular one--by far the most copious--has been
quite exhausted. Have you exhausted it, my dear sir? Had you exhausted
it when you came down here? It seems to me in our time almost wholly
neglected, and something should surely be done to restore its ruined
credit. It's the course to which the artist himself at every step, and
with such pathetic confidence, refers us. This last book of Mr.
Paraday's is full of revelations."
"Revelations?" panted Mr. Morrow, whom I had forced again into his
chair.
"The only kind that count. It tells you with a perfection that seems to
me quite final all the author thinks, for instance, about the advent of
the 'larger latitude.'"
"Where does it do that?" asked Mr. Morrow, who had picked up the second
volume and was insincerely thumbing it.
"Everywhere--in the whole treatment of his case. Extract the opinion,
disengage the answer--those are the real acts of homage."
Mr. Morrow, after a minute, tossed the book away. "Ah, but you mustn't
take me for a reviewer."
"Heaven forbid I should take you for anything so dreadful! You came down
to perform a little act of sympathy, and so, I may confide to you, did
I. Let us perform our little act together. These pages overflow with the
testimony we want: let us read them and taste them and interpret them.
You will of course have perceived for yourself that one scarcely does
read Neil Paraday till one reads him aloud; he gives out to the ear an
extraordinary quality, and it's only when you expose it confidently to
that test that you really get near his style. Take up your book again
and let me listen, while you pay it out, to that wonderful fifteenth
chapter. If you feel that you can't do it justice, compose yourself to
attention while I produce for you--I think I can!--this scarcely less
admirable ninth."
Public-domain text, read in full here on John Shaqi.
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