The yellow book, an illustrated quarterly. Vol. 1, April 1894 — John Shaqi
The yellow book, an illustrated quarterly. Vol. 1, April 1894
General
The yellow book, an illustrated quarterly. Vol. 1, April 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
She looked at me a moment--her face was sweet and gay. "Do _you_ burn
without reading, too?" she asked; in answer to which I assured her that
if she would trust me with her repository I would see that Mr. Paraday
should write his name in it.
She considered a little. "That's very well, but it wouldn't make me see
him."
"Do you want very much to see him?" It seemed ungracious to catechise so
charming a creature, but somehow I had never yet taken my duty to the
great author so seriously.
"Enough to have come from America for the purpose."
I stared. "All alone?"
"I don't see that that's exactly your business; but if it will make me
more appealing I will confess that I am quite by myself. I had to come
alone or not at all."
She was interesting; I could imagine that she had lost parents, natural
protectors--could conceive even that she had inherited money. I was in a
phase of my own fortunes when keeping hansoms at doors seemed to me pure
swagger. As a trick of this frank and delicate girl, however, it became
romantic--a part of the general romance of her freedom, her errand, her
innocence. The confidence of young Americans was notorious, and I
speedily arrived at a conviction that no impulse could have been more
generous than the impulse that had operated here. I foresaw at that
moment that it would make her my peculiar charge, just as circumstances
had made Neil Paraday. She would be another person to look after, and
one's honour would be concerned in guiding her straight. These things
became clearer to me later; at the instant I had scepticism enough to
observe to her, as I turned the pages of her volume, that her net had,
all the same, caught many a big fish. She appeared to have had fruitful
access to the great ones of the earth; there were people moreover whose
signatures she had presumably secured without a personal interview. She
couldn't have waylaid George Washington and Friedrich Schiller and
Hannah More. She met this argument, to my surprise, by throwing up the
album without a pang. It wasn't even her own; she was responsible for
none of its treasures. It belonged to a girl-friend in America, a young
lady in a western city. This young lady had insisted on her bringing it,
to pick up more autographs: she thought they might like to see, in
Europe, in what company they would be. The "girl-friend," the western
city, the immortal names, the curious errand, the idyllic faith, all
made a story as strange to me, and as beguiling, as some tale in the
Arabian Nights. Thus it was that my informant had encumbered herself
with the ponderous tome; but she hastened to assure me that this was the
first time she had brought it out. For her visit to Mr. Paraday it had
simply been a pretext. She didn't really care a straw that he should
write his name; what she did want was to look straight into his face.
I demurred a little. "And why do you require to do that?"
Public-domain text, read in full here on John Shaqi.
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