The yellow book, an illustrated quarterly. Vol. 1, April 1894 — John Shaqi
The yellow book, an illustrated quarterly. Vol. 1, April 1894
General
The yellow book, an illustrated quarterly. Vol. 1, April 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
"Because I just love him!" Before I could recover from the agitating
effect of this crystal ring my companion had continued: "Hasn't there
ever been any face that you've wanted to look into?"
How could I tell her so soon how much I appreciated the opportunity of
looking into hers? I could only assent in general to the proposition
that there were certainly for everyone such faces; and I felt that the
crisis demanded all my lucidity, all my wisdom. "Oh, yes, I'm a student
of physiognomy. Do you mean," I pursued, "that you've a passion for Mr.
Paraday's books?"
"They've been everything to me--I know them by heart. They've completely
taken hold of me. There's no author about whom I feel as I do about Neil
Paraday."
"Permit me to remark then," I presently rejoined, "that you're one of
the right sort."
"One of the enthusiasts? Of course I am!"
"Oh, there are enthusiasts who are quite of the wrong. I mean you're one
of those to whom an appeal can be made."
"An appeal?" Her face lighted as if with the chance of some great
sacrifice.
If she was ready for one it was only waiting for her, and in a moment I
mentioned it. "Give up this rigid purpose of seeing him. Go away without
it. That will be far better."
She looked mystified; then she turned visibly pale. "Why, hasn't he any
personal charm?" The girl was terrible and laughable in her bright
directness.
"Ah, that dreadful word 'personal'!" I exclaimed; "we're dying of it,
and you women bring it out with murderous effect. When you encounter a
genius as fine as this idol of ours, let him off the dreary duty of
being a personality as well. Know him only by what's best in him, and
spare him for the same sweet sake."
My young lady continued to look at me in confusion and mistrust, and the
result of her reflection on what I had just said was to make her
suddenly break out: "Look here, sir--what's the matter with him?"
"The matter with him is that, if he doesn't look out, people will eat a
great hole in his life."
She considered a moment. "He hasn't any disfigurement?"
"Nothing to speak of!"
"Do you mean that social engagements interfere with his occupations?"
"That but feebly expresses it."
"So that he can't give himself up to his beautiful imagination?"
"He's badgered, bothered, overwhelmed, on the pretext of being
applauded. People expect him to give them his time, his golden time, who
wouldn't themselves give five shillings for one of his books."
"Five? I'd give five thousand!"
"Give your sympathy--give your forbearance. Two-thirds of those who
approach him only do it to advertise themselves."
"Why, it's too bad!" the girl exclaimed, with the face of an angel.
I followed up my advantage. "There's a lady with him now who's a
terrible complication, and who yet hasn't read, I am sure, ten pages
that he ever wrote."
My visitor's wide eyes grew tenderer. "Then how does she talk----?"
Public-domain text, read in full here on John Shaqi.
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