see therefore that the beautiful book plays a great part in our conversation. Why should I take the occasion of such distinguished honours to say that I begin to see deeper into Gustave Flaubert's doleful refrain about the hatred of literature? I refer you again to the perverse constitution of man. "The Princess is a massive lady with the organisation of an athlete and the confusion of tongues of a _valet de place_. She contrives to commit herself extraordinarily little in a great many languages, and is entertained and conversed with in detachments and relays, like an institution which goes on from generation to generation or a big building contracted for under a forfeit. She can't have a personal taste, any more than, when her husband succeeds, she can have a personal crown, and her opinion on any matter is rusty and heavy and plain--made, in the night of ages, to last and be transmitted. I feel as if I ought to pay some one a fee for my glimpse of it. She has been told everything in the world and has never perceived anything, and the echoes of her education respond awfully to the rash footfall--I mean the casual remark--in the cold Valhalla of her memory. Mrs. Wimbush delights in her wit and says there is nothing so charming as to hear Mr. Paraday draw it out. He is perpetually detailed for this job, and he tells me it has a peculiarly exhausting effect. Every one is beginning--at the end of two days--to sidle obsequiously away from her, and Mrs. Wimbush pushes him again and again into the breach. None of the uses I have yet seen him put to irritate me quite so much. He looks very fagged, and has at last confessed to me that his condition makes him uneasy--has even promised me that he will go straight home instead of returning to his final engagements in town. Last night I had some talk with him about going to-day, cutting his visit short; so sure am I that he will be better as soon as he is shut up in his lighthouse. He told me that this is what he would like to do; reminding me, however, that the first lesson of his greatness has been precisely that he can't do what he likes. Mrs. Wimbush would never forgive him if he should leave her before the Princess has received the last hand. When I say that a violent rupture with our hostess would be the best thing in the world for him he gives me to understand that if his reason assents to the proposition his courage hangs wofully back. He makes no secret of being mortally afraid of her, and when I ask what harm she can do him that she hasn't already done he simply repeats: 'I'm afraid, I'm afraid! Don't inquire too closely,' he said last night; 'only believe that I feel a sort of terror. It's strange, when she's so kind! At any rate, I would as soon overturn that piece of priceless Sèvres as tell her that I must go before my date.' It sounds dreadfully weak, but he has some reason, and he pays for his imagination, which puts him (I should hate it) in the