There is a great deal of what is wild and barbarous attached to these festivals. I shall never forget a particular one at which I was present. After much feasting, drinking, and yelling, in the Gypsy house, the bridal train sallied forth—a frantic spectacle. First of all marched a villainous jockey-looking fellow, holding in his hands, uplifted, a long pole, at the top of which fluttered in the morning air a snow-white cambric handkerchief, emblem of the bride’s purity. Then came the betrothed pair, followed by their nearest friends; then a rabble rout of Gypsies, screaming and shouting, and discharging guns and pistols, till all around rang with the din, and the village dogs barked. On arriving at the church gate, the fellow who bore the pole stuck it into the ground with a loud huzza, and the train, forming two ranks, defiled into the church on either side of the pole and its strange ornaments. On the conclusion of the ceremony, they returned in the same manner in which they had come. Throughout the day there was nothing going on but singing, drinking, feasting, and dancing; but the most singular part of the festival was reserved for the dark night. Nearly a ton weight of sweetmeats had been prepared, at an enormous expense, not for the gratification of the palate, but for a purpose purely Gypsy. These sweetmeats of all kinds, and of all forms, but principally yémas, or yolks of eggs prepared with a crust of sugar (a delicious bonne-bouche), were strewn on the floor of a large room, at least to the depth of three inches. Into this room, at a given signal, tripped the bride and bridegroom _dancing romális_, followed amain by all the Gitános and Gitánas, _dancing romális_. To convey a slight idea of the scene is almost beyond the power of words. In a few minutes the sweetmeats were reduced to a powder, or rather to a mud, the dancers were soiled to the knees with sugar, fruits, and yolks of eggs. Still more terrific became the lunatic merriment. The men sprang high into the air, neighed, brayed, and crowed; whilst the Gitánas snapped their fingers in their own fashion, louder than castanets, distorting their forms into all kinds of obscene attitudes, and uttering words to repeat which were an abomination. In a corner of the apartment capered the while Sebastianillo, a convict Gypsy from Melilla, strumming the guitar most furiously, and producing demoniacal sounds which had some resemblance to Malbrun (Malbrouk), and, as he strummed, repeating at intervals the Gypsy modification of the song:— ‘Chalá Malbrún chinguerár, Birandón, birandón, birandéra— Chalá Malbrún chinguerár, No sé bus truterá— No sé bus truterá. No sé bus truterá. La romí que le caméla, Birandón, birandón,’ etc.