He had occasion to go to the convent, having been long in treaty with the friars for a steed which he had been commissioned by a nobleman to buy at any reasonable price. The friars, however, were exorbitant in their demands. On arriving at the gate, he sang to the friar who opened it a couplet which he had composed in the Gypsy tongue, in which he stated the highest price which he was authorised to give for the animal in question; whereupon the friar instantly answered in the same tongue in an extemporary couplet full of abuse of him and his employer, and forthwith slammed the door in the face of the disconcerted jockey. An Augustine friar of Seville, called, we believe, Father Manso, who lived some twenty years ago, is still remembered for his passion for the Gitános; he seemed to be under the influence of fascination, and passed every moment that he could steal from his clerical occupations in their company. His conduct at last became so notorious that he fell under the censure of the Inquisition, before which he was summoned; whereupon he alleged, in his defence, that his sole motive for following the Gitános was zeal for their spiritual conversion. Whether this plea availed him we know not; but it is probable that the Holy Office dealt mildly with him; such offenders, indeed, have never had much to fear from it. Had he been accused of liberalism, or searching into the Scriptures, instead of connection with the Gitános, we should, doubtless, have heard either of his execution or imprisonment for life in the cells of the cathedral of Seville. Such as are thus addicted to the Gitános and their language, are called, in Andalusia, Los del’ Aficion, or those of the predilection. These people have, during the last fifty years, composed a spurious kind of Gypsy literature: we call it spurious because it did not originate with the Gitános, who are, moreover, utterly unacquainted with it, and to whom it would be for the most part unintelligible. It is somewhat difficult to conceive the reason which induced these individuals to attempt such compositions; the only probable one seems to have been a desire to display to each other their skill in the language of their predilection. It is right, however, to observe, that most of these compositions, with respect to language, are highly absurd, the greatest liberties being taken with the words picked up amongst the Gitános, of the true meaning of which the writers, in many instances, seem to have been entirely ignorant. From what we can learn, the composers of this literature flourished chiefly at the commencement of the present century: Father Manso is said to have been one of the last. Many of their compositions, which are both in poetry and prose, exist in manuscript in a compilation made by one Luis Lobo. It has never been our fortune to see this compilation, which, indeed, we scarcely regret, as a rather curious circumstance has afforded us a perfect knowledge of its contents.