Thus we see that no line can be drawn between the powers of sense and of reflection--they pass imperceptibly into one another. We may indeed distinguish between the seeing and the closed eye--between the sensation and the recollection of it. But this distinction carries us a very little way, for recollection is present in sight as well as sight in recollection. There is no impression of sense which does not simultaneously recall differences of form, number, colour, and the like. Neither is such a distinction applicable at all to our internal bodily sensations, which give no sign of themselves when unaccompanied with pain, and even when we are most conscious of them, have often no assignable place in the human frame. Who can divide the nerves or great nervous centres from the mind which uses them? Who can separate the pains and pleasures of the mind from the pains and pleasures of the body? The words 'inward and outward,' 'active and passive,' 'mind and body,' are best conceived by us as differences of degree passing into differences of kind, and at one time and under one aspect acting in harmony and then again opposed. They introduce a system and order into the knowledge of our being; and yet, like many other general terms, are often in advance of our actual analysis or observation. According to some writers the inward sense is only the fading away or imperfect realization of the outward. But this leaves out of sight one half of the phenomenon. For the mind is not only withdrawn from the world of sense but introduced to a higher world of thought and reflection, in which, like the outward sense, she is trained and educated. By use the outward sense becomes keener and more intense, especially when confined within narrow limits. The savage with little or no thought has a quicker discernment of the track than the civilised man; in like manner the dog, having the help of scent as well as of sight, is superior to the savage. By use again the inward thought becomes more defined and distinct; what was at first an effort is made easy by the natural instrumentality of language, and the mind learns to grasp universals with no more exertion than is required for the sight of an outward object. There is a natural connexion and arrangement of them, like the association of objects in a landscape. Just as a note or two of music suffices to recall a whole piece to the musician's or composer's mind, so a great principle or leading thought suggests and arranges a world of particulars. The power of reflection is not feebler than the faculty of sense, but of a higher and more comprehensive nature. It not only receives the universals of sense, but gives them a new content by comparing and combining them with one another. It withdraws from the seen that it may dwell in the unseen. The sense only presents us with a flat and impenetrable surface: the mind takes the world to pieces and puts it together on a new pattern. The universals which are detached