Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena — John Shaqi
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
Beating the Circus 523
W. H. Donaldson 525
Catalina Georgio's Frightful Death 526
Bareback Riding 537
Trapeze 539
Mdme. Lasalle 542
ANNIE LIVINGSTONE (COLORED PLATE) 545
Circus Riders 546
Dan Rice 550
A Human Pyramid 562
Leaping 565
Bicycle Riding 571
Giant and Giantess 579, 580
Performing Elephants 596
Jumbo 599
Curtain 608
[Illustration: STAGE OF A MODERN THEATRE.]
CHAPTER I.
A PRELIMINARY PEEP.
Anybody can get into the auditorium of a theatre by paying an admission
fee reaching from twenty-five cents up to $1.50, and the sawdust
precincts of the circus may be penetrated for the modest sum of fifty
cents; but behind the curtain of the theatre and beyond the screened
door through which circus attractions enter the exhibition arena, are
sacred places, with secrets that are so valuable to their owners that
they dare not for less than a small fortune allow the public to view
or even to understand them. A general knowledge of the simplicity
of theatrical and circus tricks--of the delusions that make up the
stock in trade of showmen generally--would destroy their value as
salable articles, and make everybody a little Barnum or Jack Haverly
of his own, with ability to furnish himself with amusement at home,
while the former mastodonic managers could only look on and weep at
the educational facilities with which the country was overrun, and
mourn the Shakespearian days when people were easily pleased with the
poverty-ridden stage and bare representations that were offered them.
But there is no fear that the public will ever be instructed up to
such a high degree in regard to the inside workings of the theatre and
circus, that there will not at all times be plenty of patrons for both
these excellent forms of entertainment. The managers take good care
to keep their secrets to themselves, as those who go prying around the
shrines in which the theatric arcana are held, very soon find out.
At the back door of every theatre--the entrance to the stage--is a
cerberus of the most pronounced kind, who would sooner bite his own
grandfather's ear off than allow anybody not entitled to the privilege,
Public-domain text, read in full here on John Shaqi.
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