Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
to pass him; while at the door of the circus dressing-room and all
around it are faithful sentinels who will listen to no password, and
through whose ranks it is as impossible to break as it is for the
fat boy in the side show to throw a double somersault over seventeen
horses, with an elephant as big as Jumbo at the far end of the line.
It will, however, be the proud privilege of the readers of this book
to get as close to the secrets of the stage and sawdust arena as one
can well do without knowing absolutely all about them, and by the time
the last page is read and the volume is ready to be closed, I think the
readers will be both delighted and astonished with the revelations that
have been made.
Turn the average man loose on the stage of a theatre at night, while a
play is going on, and it is a Russian kobol against a whole San Juan
mining district that he will not know whether he has struck the seventh
circle of heaven or is in a lunatic asylum. He will meet some very
queer creatures in the scenes; he will see many strange things; the
brilliant lights around him, the patches of color flashing into his
eyes, the sea of faces and the tangle of millinery in the auditorium,
will mystify him; the startling streaks of black upon the faces of
the men and women who jostle him as he closely hugs the wings, their
red noses and blooming cheeks, the general tomato-can aspect of their
faces, the shaggy wigs and straggling beards that look as if they had
been torn off the back of a goat only ten minutes before; the dismal,
commonplace clothes that shine so radiantly when seen from a chair in
the parquette or dress circle,--all these things will set his poor
brain in a whirl; and while he is looking on awe-stricken, the scene
shifters will come rushing down upon him with a new delusion, trampling
on his toes in a manner that suggests in a most potential way his
superfluity in that particular place, and pushing him aside without
the merest apology, and perhaps with no other remark than a fragment
of fervent profanity, as if he were a wretched street Arab in that
mimic world in which the scene shifter and the captain of the "supers"
play such very important parts. People come out of every imaginable
place all around him. There seem to be doors everywhere,--in the walls,
the floor, the ceiling, and even in space; and as the "vasty deep"
and the rest of the surroundings give up their dwellers, the intruder
receives fresh jolts and thrusts, and possibly additional donations
of profanity. This, of course, applies only to the male apparitions
that overwhelm the strange visitor to the new world behind the scenes.
The female portion of that illusory sphere have nothing to say to him
except with their eyes, which very forcibly inquire the meaning of his
presence there.
[Illustration: LOTTA.]
Public-domain text, read in full here on John Shaqi.
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