Atlantic Coast (U.S.) -- Description and travel -- Fiction
The place lost nothing in the morning light, and it was a sparkling
morning with a fresh breeze. Nature, with its love of simple, sweeping
lines, and its feeling for atmospheric effect, has done everything for
the place, and bad taste has not quite spoiled it. There is a sloping,
shallow beach, very broad, of fine, hard sand, excellent for driving
or for walking, extending unbroken three miles down to Cape May Point,
which has hotels and cottages of its own, and lifesaving and signal
stations. Off to the west from this point is the long sand line to Cape
Henlopen, fourteen miles away, and the Delaware shore. At Cape May Point
there is a little village of painted wood houses, mostly cottages to
let, and a permanent population of a few hundred inhabitants. From the
pier one sees a mile and a half of hotels and cottages, fronting south,
all flaming, tasteless, carpenter's architecture, gay with paint.
The sea expanse is magnificent, and the sweep of beach is fortunately
unencumbered, and vulgarized by no bath-houses or show-shanties. The
bath-houses are in front of the hotels and in their enclosures; then
come the broad drive, and the sand beach, and the sea. The line is
broken below by the lighthouse and a point of land, whereon stands the
elephant. This elephant is not indigenous, and he stands alone in the
sand, a wooden sham without an explanation. Why the hotel-keeper's mind
along the coast regards this grotesque structure as a summer attraction
it is difficult to see. But when one resort had him, he became a
necessity everywhere. The travelers walked down to this monster, climbed
the stairs in one of his legs, explored the rooms, looked out from the
saddle, and pondered on the problem. This beast was unfinished within
and unpainted without, and already falling into decay. An elephant on
the desert, fronting the Atlantic Ocean, had, after all, a picturesque
aspect, and all the more so because he was a deserted ruin.
The elephant was, however, no emptier than the cottages about which
our friends strolled. But the cottages were all ready, the rows of new
chairs stood on the fresh piazzas, the windows were invitingly open, the
pathetic little patches of flowers in front tried hard to look festive
in the dry sands, and the stout landladies in their rocking-chairs
calmly knitted and endeavored to appear as if they expected nobody, but
had almost a houseful.
Public-domain text, read in full here on John Shaqi.
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