Theocritus, Bion and Moschus, Rendered into English ProseTheocritus
General
Theocritus, Bion and Moschus, Rendered into English Prose
Theocritus
Greek poetry -- Translations into English; Pastoral poetry, Greek -- Translations into English
Thy sudden doom, O Bion, Apollo himself lamented, and the Satyrs mourned
thee, and the Priapi in sable raiment, and the Panes sorrow for thy song,
and the fountain fairies in the wood made moan, and their tears turned to
rivers of waters. And Echo in the rocks laments that thou art silent,
and no more she mimics thy voice. And in sorrow for thy fall the trees
cast down their fruit, and all the flowers have faded. From the ewes
hath flowed no fair milk, nor honey from the hives, nay, it hath perished
for mere sorrow in the wax, for now hath thy honey perished, and no more
it behoves men to gather the honey of the bees.
_Begin_, _ye Sicilian Muses_, _begin the dirge_.
Not so much did the dolphin mourn beside the sea-banks, nor ever sang so
sweet the nightingale on the cliffs, nor so much lamented the swallow on
the long ranges of the hills, nor shrilled so loud the halcyon o’er his
sorrows;
(_Begin_, _ye Sicilian Muses_, _begin the dirge_.)
Nor so much, by the grey sea-waves, did ever the sea-bird sing, nor so
much in the dells of dawn did the bird of Memnon bewail the son of the
Morning, fluttering around his tomb, as they lamented for Bion dead.
Nightingales, and all the swallows that once he was wont to delight, that
he would teach to speak, they sat over against each other on the boughs
and kept moaning, and the birds sang in answer, ‘Wail, ye wretched ones,
even ye!’
_Begin_, _ye Sicilian Muses_, _begin the dirge_.
Who, ah who will ever make music on thy pipe, O thrice desired Bion, and
who will put his mouth to the reeds of thine instrument? who is so bold?
For still thy lips and still thy breath survive, and Echo, among the
reeds, doth still feed upon thy songs. To Pan shall I bear the pipe?
Nay, perchance even he would fear to set his mouth to it, lest, after
thee, he should win but the second prize.
_Begin_, _ye Sicilian Muses_, _begin the dirge_.
Yea, and Galatea laments thy song, she whom once thou wouldst delight, as
with thee she sat by the sea-banks. For not like the Cyclops didst thou
sing—him fair Galatea ever fled, but on thee she still looked more kindly
than on the salt water. And now hath she forgotten the wave, and sits on
the lonely sands, but still she keeps thy kine.
_Begin_, _ye Sicilian Muses_, _begin the dirge_.
All the gifts of the Muses, herdsman, have died with thee, the delightful
kisses of maidens, the lips of boys; and woful round thy tomb the loves
are weeping. But Cypris loves thee far more than the kiss wherewith she
kissed the dying Adonis.
_Begin_, _ye Sicilian Muses_, _begin the dirge_.
This, O most musical of rivers, is thy second sorrow, this, Meles, thy
new woe. Of old didst thou lose Homer, that sweet mouth of Calliope, and
men say thou didst bewail thy goodly son with streams of many tears, and
didst fill all the salt sea with the voice of thy lamentation—now again
another son thou weepest, and in a new sorrow art thou wasting away.
Public-domain text, read in full here on John Shaqi.
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