ύδάτινα βράκη, the thin undulating tissues which Theugenis was to weave with the ivory distaff, the gift of Theocritus. As a colony of Epidaurus, Cos naturally cultivated the worship of Asclepius, the divine physician, the child of Apollo. In connection with his worship and with the clan of the Asclepiadae (that widespread stock to which Aristotle belonged, and in which the practice of leechcraft was hereditary), Cos possessed a school of medicine. In the temple of Asclepius patients hung up as votive offerings representations of their diseased limbs, and thus the temple became a museum of anatomical specimens. Cos was therefore resorted to by young students from all parts of the East, and Theocritus cannot but have made many friends of his own age. Among these he alludes in various passages to Nicias, afterwards a physician at Miletus, to Philinus, noted in later life as the head of a medical sect, and to Aratus. Theocritus has sung of Aratus’s love-affairs, and St. Paul has quoted him as a witness to man’s instinctive consent in the doctrine of the universal fatherhood of God. These strangely various notices have done more for the memory of Aratus than his own didactic poem on the meteorological theories of his age. He lives, with Philinus and the rest of the Coan students, because Theocritus introduced them into the picture of a happy summer’s day. In the seventh idyl, that one day of Demeter’s harvest-feast is immortal, and the sun never goes down on its delight. We see Theocritus κουπω ταν μεσάταν όδον ανυμες, ουδε το σαμα άμιν το Βρασίλα κατεφαίνετο— when he ‘had not yet reached the mid-point of the way, nor had the tomb yet risen on his sight.’ He reveals himself as he was at the height of morning, at the best moment of the journey, in midsummer of a genius still unchecked by doubt, or disappointment, or neglect. Life seems to accost him with the glance of the goatherd Lycidas, ‘and still he smiled as he spoke, with laughing eyes, and laughter dwelling on his lips.’ In Cos, Theocritus found friendship, and met Myrto, ‘the girl he loved as dearly as goats love the spring.’ Here he could express, without any afterthought, an enthusiastic adoration for the disinterested joys, the enchanted moments of human existence. Before he entered the thronged streets of Alexandria, and tuned his shepherd’s pipe to catch the ear of princes, and to sing the epithalamium of a royal and incestuous love, he rested with his friends in the happy island. Deep in a cave, among the ruins of ancient aqueducts, there still bubbles up, from the Coan limestone, the well-spring of the Nymphs. ‘There they reclined on beds of fragrant rushes, lowly strown, and rejoicing they lay in new stript leaves of the vine. And high above their heads waved many a poplar, many an elm-tree, while close at hand the sacred water from the nymph’s own cave welled forth with murmurs musical’ (Idyl VII).