“One agent sent me a day’s journey to see a house standing in the middle
of a brickfield, with a view of the Grand Junction Canal. I asked him
where was the river he had mentioned. He explained it was the other side
of the canal, but on a lower level; that was the only reason why from the
house you couldn’t see it. I asked him for his picturesque scenery. He
explained it was farther on, round the bend. He seemed to think me
unreasonable, expecting to find everything I wanted just outside the
front-door. He suggested my shutting out the brickfield—if I didn’t like
the brickfield—with trees. He suggested the eucalyptus-tree. He said it
was a rapid grower. He also told me that it yielded gum.
“Another house I travelled down into Dorsetshire to see. It contained,
according to the advertisement, ‘perhaps the most perfect specimen of
Norman arch extant in Southern England.’ It was to be found mentioned in
Dugdale, and dated from the thirteenth century. I don’t quite know what
I expected. I argued to myself that there must have been ruffians of
only moderate means even in those days. Here and there some robber baron
who had struck a poor line of country would have had to be content with a
homely little castle. A few such, hidden away in unfrequented districts,
had escaped destruction. More civilised descendants had adapted them to
later requirements. I had in my mind, before the train reached
Dorchester, something between a miniature Tower of London and a mediæval
edition of Ann Hathaway’s cottage at Stratford. I pictured dungeons and
a drawbridge, perhaps a secret passage. Lamchick has a secret passage,
leading from behind a sort of portrait in the dining-room to the back of
the kitchen chimney. They use it for a linen closet. It seems to me a
pity. Of course originally it went on farther. The vicar, who is a bit
of an antiquarian, believes it comes out somewhere in the churchyard. I
tell Lamchick he ought to have it opened up, but his wife doesn’t want it
touched. She seems to think it just right as it is. I have always had a
fancy for a secret passage. I decided I would have the drawbridge
repaired and made practicable. Flanked on each side with flowers in
tubs, it would have been a novel and picturesque approach.”
“Was there a drawbridge?” asked Dick.
“There was no drawbridge,” I explained. “The entrance to the house was
through what the caretaker called the conservatory. It was not the sort
of house that goes with a drawbridge.”
“Then what about the Norman arches?” argued Dick.
Public-domain text, read in full here on John Shaqi.
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