I felt from the first I was going to like him. He is shy, and that, of
course, makes him appear awkward. But, as I explained to Robina, it is
the shy young men who, generally speaking, turn out best: few men could
have been more painfully shy up to twenty-five than myself.
Robina said that was different: in the case of an author it did not
matter. Robina’s attitude towards the literary profession would not
annoy me so much were it not typical. To be a literary man is, in
Robina’s opinion, to be a licensed idiot. It was only a week or two ago
that I overheard from my study window a conversation between Veronica and
Robina upon this very point. Veronica’s eye had caught something lying
on the grass. I could not myself see what it was, in consequence of an
intervening laurel bush. Veronica stooped down and examined it with
care. The next instant, uttering a piercing whoop, she leapt into the
air; then, clapping her hands, began to dance. Her face was radiant with
a holy joy. Robina, passing near, stopped and demanded explanation.
“Pa’s tennis racket!” shouted Veronica—Veronica never sees the use of
talking in an ordinary tone of voice when shouting will do just as well.
She continued clapping her hands and taking little bounds into the air.
“Well, what are you going on like that for?” asked Robina. “It hasn’t
bit you, has it?”
“It’s been out all night in the wet,” shouted Veronica. “He forgot to
bring it in.”
“You wicked child!” said Robina severely. “It’s nothing to be pleased
about.”
“Yes, it is,” explained Veronica. “I thought at first it was mine. Oh,
wouldn’t there have been a talk about it, if it had been! Oh my!
wouldn’t there have been a row!” She settled down to a steady rhythmic
dance, suggestive of a Greek chorus expressing satisfaction with the
gods.
Robina seized her by the shoulders and shook her back into herself. “If
it had been yours,” said Robina, “you would deserve to have been sent to
bed.”
“Well, then, why don’t he go to bed?” argued Veronica.
Robina took her by the arm and walked her up and down just underneath my
window. I listened, because the conversation interested me.
“Pa, as I am always explaining to you,” said Robina, “is a literary man.
He cannot help forgetting things.”
“Well, I can’t help forgetting things,” insisted Veronica.
“You find it hard,” explained Robina kindly; “but if you keep on trying
you will succeed. You will get more thoughtful. I used to be forgetful
and do foolish things once, when I was a little girl.”
“Good thing for us if we was all literary,” suggested Veronica.
“If we ‘were’ all literary,” Robina corrected her. “But you see we are
not. You and I and Dick, we are just ordinary mortals. We must try and
think, and be sensible. In the same way, when Pa gets excited and
raves—I mean, seems to rave—it’s the literary temperament. He can’t help
it.”
“Can’t you help doing anything when you are literary?” asked Veronica.
Public-domain text, read in full here on John Shaqi.
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