Thirty Strange StoriesWells, H. G. (Herbert George)
Science
Thirty Strange Stories
Wells, H. G. (Herbert George)
Fantasy fiction, English; Science fiction, English; Short stories, English
He read rather well, and a swell of genuine emotion crept into his voice
as he read, with one white hand thrown out to point the rhythm of the
lines. “Ever, my sweet, for thee,” he concluded, looking up into her
face.
Before he looked up, he had been thinking chiefly of his poem and its
effect. Straightway he forgot it. Her arms hung limply before her, and
her hands were clasped together. Her eyes were very tender.
“Your verses go to the heart,” she said softly.
Her mobile features were capable of wonderful shades of expression. He
suddenly forgot his wife and his position as a minor poet as he looked
at her. It is possible that his classical features may themselves have
undergone a certain transfiguration. For one brief moment—and it was
always to linger in his memory—destiny lifted him out of his vain little
self to a nobler level of simplicity. The copy of “Tenderly ever”
fluttered from his hand. Considerations vanished. Only one thing seemed
of importance.
“I love you,” he said abruptly.
An expression of fear came into her eyes. The grip of her hands upon one
another tightened convulsively. She became very pale.
Then she moved her lips as if to speak, bringing her face slightly
nearer to his. There was nothing in the world at that moment for either
of them but one another. They were both trembling exceedingly. In a
whisper she said, “You love me?”
Aubrey Vair stood quivering and speechless, looking into her eyes. He
had never seen such a light as he saw there before. He was in a wild
tumult of emotion. He was dreadfully scared at what he had done. He
could not say another word. He nodded.
“And this has come to me?” she said presently, in the same awe-stricken
whisper, and then, “Oh, my love, my love!”
And thereupon Aubrey Vair had her clasped to himself, her cheek upon his
shoulder and his lips to hers.
Thus it was that Aubrey Vair came by the cardinal memory of his life. To
this day it recurs in his works.
A little boy clambering in the hedge some way down the lane saw this
group with surprise, and then with scorn and contempt. Recking nothing
of his destiny, he turned away, feeling that he at least could never
come to the unspeakable unmanliness of hugging girls. Unhappily for
Reigate scandal, his shame for his sex was altogether too deep for
words.
An hour after, Aubrey Vair returned home in a hushed mood. There were
muffins after his own heart for his tea—Mrs. Aubrey Vair had had hers.
And there were chrysanthemums, chiefly white ones,—flowers he loved,—set
out in the china bowl he was wont to praise. And his wife came behind
him to kiss him as he sat eating.
“De lill Jummuns,” she remarked, kissing him under the ear.
Then it came into the mind of Aubrey Vair with startling clearness,
while his ear was being kissed, and with his mouth full of muffin, that
life is a singularly complex thing.
Public-domain text, read in full here on John Shaqi.
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