This FreedomHutchinson, A. S. M. (Arthur Stuart-Menteth)
General
This Freedom
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Marriage -- Fiction; Women -- Social and moral questions -- Fiction
This thoroughly satisfied Rosalie and completely entranced her,
especially about the presentation of the dear little children. She would
have supposed that naturally it thoroughly satisfied Anna and Harold
and Flora and the others; and the point of interest rests here, that
Rosalie’s mother also believed that this explanation of marriage and
procreation completely satisfied Anna at sixteen and Harold in the Bank
at eighteen. She never gave them any other explanation of the phenomenon
of birth; and it is to be supposed that, just as she instructed them
that God sent the dear little children, so she believed that God, at the
right time, in some mysterious way, communicated the matter to them in
greater detail. Years and years afterwards, Flora told Rosalie that
when Rosalie was born all the children were sent away to stay with a
neighbour and not allowed to return till Rosalie’s mother, downstairs,
was able to show them the dear little sister that God had surprisingly
delivered at the house, as it were in a parcel.
One is given pain by a state of affairs so monstrous; but one suffers
that pain proudly because one belongs, proudly, to a day in which
nothing but stark truth may go from mother to child, not even fairy
stories, not even Bible stories. Rosalie’s mother is gone and her kind
is no more, and in the graces and the manners of this day’s generation
one perceives, proudly, the inestimable benefits of the passing of her
kind. Lamentable specimen of her kind, she had no interests other than
her home and her husband and her children and the pleasures and the
treasures and the friends of her husband and her children. She belonged
to that dark age when duty towards others was the guiding principle of
moral life; she came only to the threshold of this enlightened age in
which duty to oneself is known to be the paramount and first and last
consideration of life as it should be lived.
Rosalie’s mother, whose name had been Anna Escott, kept at the bottom of
a drawer five most exquisite little miniatures. They were in a case of
faded blue plush, and they had been in that case and at the bottom of
one drawer or another ever since the girl Anna Escott, aged twenty, had
placed them in the case, then exquisitely blue and new and soft, and
given up painting miniatures forever, in order to devote her whole time
to looking after her invalid father and the failing preparatory school
that was his livelihood.
Rosalie was herself nearly thirty when she first saw the miniatures. She
was come back to the rectory from the pursuits that then occupied her to
visit, rather impatiently and rather vexedly, her mother on what proved
to be her death bed. She was tidying her mother’s drawers, impatient
with the amazing collection of rubbish they contained and hating herself
for being impatient, while her mother, on the bed, patiently watched
her; and she came upon the case and opened it and stared in astonishment
and admiration at the beauty of the five miniatures.
Public-domain text, read in full here on John Shaqi.
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