This FreedomHutchinson, A. S. M. (Arthur Stuart-Menteth)
General
This Freedom
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Marriage -- Fiction; Women -- Social and moral questions -- Fiction
She asked her mother and her mother told her she had painted them. “I
used to do that when I was a girl,” said Rosalie’s mother.
All Rosalie’s impatience was drowned and utterly engulfed in a most
dreadful flood of emotion. She set down the case on the bed and flung
herself on her knees beside her mother and clasped her arms about her.
“Oh, mother, mother! Oh, beloved little mother!” But that is out of its
place.
Yes, that girl Anna Escott, who had an exquisite talent, and all sorts
of fond dreams of its development, gave it up wholly and entirely and
forever when her mother died and her father said, “I would like you,
Anna dear, to give up your painting and come and look after me and the
school now.”
Anna said, “Of course I will, Papa. It’s my duty. Of course I will.”
Girls did that, and parents and husbands asked them to do that, in the
days when Rosalie’s mother was a girl.
Rosalie’s mother gave away everything, first to her father, then to
her husband, then to her children. She believed the whole of the Bible,
literally, as it is written, from the first word of Genesis to the last
word of Revelations. She taught it as literal, final and initial
truth to all her children, and one knows how wickedly wrong it is now
considered to teach children that the Bible-stories are true. She taught
them the whole of the Bible from books called “Line Upon Line,” and “The
Child’s Bible,” and in stories of her own making, and from the Bible
itself. Regrettably, the ignorantly imposed-upon children loved it! Till
each child was eight she taught them everything at her knee. All the
nursery rhymes, and all the Bible, and reading out of “Step by Step,”
and then “Reading Without Tears,” and then, in advancing series, the
“Royal Readers,” and writing, first holding their hands, and then--first
in pencil and afterwards with pens having three huge blobs to teach you
how to place your fingers properly--in copybooks graded from enormous
lines which had brick-red covers to astoundingly narrow little lines
enclosing pious and moral maxims which had severe grey covers; and the
multiplication tables and then simple arithmetic; and General Knowledge
out of “The Child’s Guide to Knowledge,” which asked you “What is
sago?” and required you to reply by heart, “Sago is a dried, granulated
substance prepared from the pith of several different palms.” “Where are
these palms found?” “These palms are found in the East Indies.”
Likewise history out of Mrs. Markham and “Little Arthur”; also, at a
ridiculously early age, how to tell the time and how to know the coinage
of the realm and its values; also, whether girl or boy, the making
of kettle-holders by threading brightly coloured wools through little
squares of canvas; also very many pieces of poetry: “Oft had I heard of
Lucy Grey,” and “It was the Schooner Hesperus” and hymns--also learnt
by heart and sung while Rosalie’s mother played the piano--“We are but
little children weak,” and “Gentle Jesus, meek and mild.”
Public-domain text, read in full here on John Shaqi.
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