As she approached, she became conscious of the hind quarters of a man
clothed in that dark mixture that used to be popularly known as
"pepper-and-salt," standing up out of one of the cucumber-frames, and
executing movements as if he were practising diving in a dry bath.
Suddenly the legs subsided and sank down. Next they rose again, and
kicked about, the rest of the man still remaining hidden in the frame,
and then at last there was a rapid retrograde motion, and Christie Bayle
emerged, hot, dishevelled, but triumphant for a moment, then scarlet
with confusion and annoyance as he hastily caught up his hat, clapped it
on, but hurriedly took it off and bowed.
"Miss Luttrell!" he exclaimed.
"Mr Bayle!" she cried, forbearing to smile as she saw his confusion.
"I heard the noise and wondered what it could be."
"I--I met your father," he said, hastily adjusting the light; "he asked
me to open the frames. A tiresome slug--"
"It was very kind of you," she said, holding out her hand and pressing
his in her frank, warm grasp, and full of eagerness to set him at his
ease. "Papa will be so pleased that you have caught one of his
enemies."
"Thank you," he said uneasily; "it is very kind of you."--"I'm the most
unlucky wretch under the sun, always making myself ridiculous before
her," he added to himself.
"Kind of me? No, of you, to come and take all that trouble."--"Poor
fellow!" she thought, "he fancies that I am going to laugh at
him."--"I've been so busy, Mr Bayle: I've copied out the whole of that
duet. When are you coming in to try it over?"
"Do you wish me to try it with you?" he said rather coldly.
"Why, of course. There are no end of pretty little passages solo for
the flute. We must have a good long practice together before we play in
public."
"You're very kind and patient with me," he said, as he gazed at the
sweet calm face by his side.
"Nonsense," she cried. "I'm cutting a few flowers for Miss Heathery;
she is the most grateful recipient of a present of this kind that I
know."
They were walking back towards the house as she spoke, and from time to
time Millicent stopped to snip off some flower, or to ask her companion
to reach one that grew on high.
In a few minutes she had set him quite at his ease and they were talking
quietly about their life, their neighbours, about his endeavours to
improve the place; and yet all the time there seemed to him to be an
undercurrent in his life, flowing beneath that surface talk. The garden
was seen through a medium that tinted everything with joy; the air he
breathed was perfumed and intoxicating; the few bird-notes that came
from time to time sounded more sweetly than he had ever heard them
before; and, hardly able to realise it himself, life--existence, seemed
one sweetly calm, and yet paradoxically troubled delight.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account