"This was a man" : $b A comedy in three actsCoward, Noël
General
"This was a man" : $b A comedy in three acts
Coward, Noël
Comedy plays; English drama (Comedy) -- 20th century; Triangles (Interpersonal relations) -- Drama
[_Rising_]
I must go now, Edward.
EVELYN
I shall take it as a personal affront if you leave the moment I arrive.
ZOE
No, you won’t, Evie. Good-by.
EVELYN
[_Shaking hands_]
Come and have a bit of food sometime.
ZOE
I should love to.
EVELYN
Where are you staying?
ZOE
Claridges.
EVELYN
Right. I’ll call you up.
ZOE
Good-by, Edward.
EDWARD
Come again soon, please.
ZOE
Of course. Telephone me to-morrow morning.
EDWARD
I will.
ZOE
Give my love to Carol.
[_EVELYN opens the door for her and she goes out. EDWARD stands looking
after her thoughtfully._]
EVELYN
[_Sitting down again_]
Extraordinary woman Zoe.
EDWARD
Why extraordinary?
EVELYN
I don’t know. She’s so self-assured.
EDWARD
[_Absently_]
Yes. I think she has every reason to be.
EVELYN
She faced all that divorce business very pluckily. Kenneth seems to have
behaved like a pretty average swine.
EDWARD
Yes.
EVELYN
Why on earth did she ever marry him?
EDWARD
[_Wearily_]
Why does anyone ever marry anyone?
EVELYN
I’ve never felt the urge very strongly. I suppose I’ve seen too much of
it.
EDWARD
That doesn’t make any difference, really.
EVELYN
Women are so damned complicated to live with—specially Zoe’s sort.
EDWARD
I don’t think Zoe is particularly complicated. She’s always appeared to
me to be pretty clear-headed and direct.
EVELYN
Oh well, you know her better than I do.
EDWARD
You’re wonderfully single-minded, aren’t you?
EVELYN
Single-minded?
EDWARD
Yes. You live according to formulated codes, and you never try to look
either under or over them. I do envy you.
EVELYN
You needn’t. I have my ups and downs.
EDWARD
Do you, really? Ever since we were at school I’ve always regarded you as
being quite invulnerable.
EVELYN
[_Complacently_]
Don’t be a fool, old man.
EDWARD
I suppose it’s a remnant of hero worship.
EVELYN
Rot! I’m a bit more balanced than you, that’s all.
EDWARD
That wouldn’t be very difficult.
EVELYN
I came here to-day with a purpose. I’m a bit worried. I want to talk to
you seriously.
EDWARD
What about?
EVELYN
Lots of things.
EDWARD
All right. Go on.
EVELYN
I don’t know how to start, quite; it’s difficult.
EDWARD
Why difficult?
EVELYN
Well, you’re a bit touchy at times, aren’t you?
EDWARD
What’s the matter, Evie?
EVELYN
Nothing actually yet—at least, I hope not.
EDWARD
I know what you’re driving at.
EVELYN
Do you?
EDWARD
Yes.
EVELYN
Are you sure you do?
EDWARD
People have been talking about Carol, I suppose.
EVELYN
Exactly.
EDWARD
Well, you needn’t worry.
EVELYN
I shouldn’t, ordinarily, but somehow in this case it’s different.
EDWARD
No, it isn’t; it’s exactly the same; it’s a situation that occurs over
and over again with everybody. That’s why it’s such a bore.
EVELYN
That’s a silly sort of attitude to take up.
EDWARD
No sillier than any other.
EVELYN
Aren’t you going to do anything?
EDWARD
O God!
[_He turns away._]
EVELYN
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account