"This was a man" : $b A comedy in three acts — John Shaqi
"This was a man" : $b A comedy in three actsCoward, Noël
General
"This was a man" : $b A comedy in three acts
Coward, Noël
Comedy plays; English drama (Comedy) -- 20th century; Triangles (Interpersonal relations) -- Drama
Well, you’ll have to sooner or later.
EDWARD
What is there to do?
EVELYN
Read the riot act.
EDWARD
Do you seriously imagine that that’s in any way a final solution?
EVELYN
It ought to bring her to her senses a bit, if you did it with conviction.
EDWARD
That’s the trouble. I haven’t got a conviction.
EVELYN
Hang it all man, she is your wife!
EDWARD
I’m not a man of property.
EVELYN
How do you mean?
EDWARD
I mean I can’t look on Carol as a sort of American trunk.
EVELYN
[_Exasperated_]
What _are_ you talking about?
EDWARD
She’s a human being, not an inanimate object over which I can assert
legal rights.
EVELYN
If all husbands adopted that tone, England would be in a nice state.
EDWARD
It _is_ in a nice state.
EVELYN
You make me tired sometimes, Edward.
EDWARD
I expect I do, but it can’t be helped.
EVELYN
Yes, it can.
EDWARD
How?
EVELYN
Pull yourself together; show a little spirit.
EDWARD
I suppose you think that if I grabbed Carol by the hair of the head
and banged her about and hurled abuse at her, she’d fall at my feet in
ecstasies of adoration?
EVELYN
I shouldn’t be surprised. Anyhow, it probably would do her good.
EDWARD
For an upstanding British soldier you have an astounding sense of the
theater.
EVELYN
Oh, you can think me a red-blooded savage if you like, but I’m damned if
I’d sit down quietly and let my wife make a fool of me.
EDWARD
[_Gently_]
You haven’t got a wife, Evie. If you had you’d probably be utterly
vanquished quicker than anyone.
EVELYN
Not me. I know the game too well.
EDWARD
Only from looking on, though. That makes an enormous difference.
EVELYN
Look here, Edward. Why not be sensible about all this?
EDWARD
I am, really.
EVELYN
Nonsense!
EDWARD
It’s no use, Evie. Things will have to take their course.
EVELYN
[_Contemptuously_]
Line of least resistance, eh?
EDWARD
Yes.
EVELYN
To hell with the line of least resistance.
EDWARD
She can’t help herself; she’s made like that.
EVELYN
Rubbish!
EDWARD
It isn’t rubbish. She’s the sort of woman who must attract people all the
time. One conquest isn’t enough; she must go on and on.
EVELYN
You talk as though she were only just flirting about for the fun of the
thing.
EDWARD
Perhaps she is.
EVELYN
What’s the use of blinding yourself?
EDWARD
Oh, shut up, Evie!
EVELYN
This is more serious than you think.
EDWARD
No, it isn’t.
EVELYN
What do you feel—honestly?
EDWARD
I’ve told you—bored.
EVELYN
That’s not true.
EDWARD
All right.
EVELYN
I know it isn’t. We haven’t been pals all these years for nothing. You
can’t deceive me as easily as that.
EDWARD
What do you want me to feel, exactly?
EVELYN
You’ve got to _do_ something.
EDWARD
What?
EVELYN
If you don’t, I shall.
EDWARD
Evie, if you mention one word of all this to Carol or anyone in the
world, I’ll never forgive you.
EVELYN
You needn’t worry. I’ve got a better plan than talking.
EDWARD
What is it?
EVELYN
Leave it to me.
Public-domain text, read in full here on John Shaqi.
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