in the course of a long and intimate correspondence) are spoken of by Mrs. Carlyle as a visit from the clouds, brightening the prevailing gray. He came to the remote inland home with "the pure intellectual gleam" of which Hawthorne speaks, and "the quiet night of clear fine talk" remained one of the memories which led Carlyle afterwards to say, "Perhaps our happiest days were spent at the Craig." Goethe's letters, especially that in which he acknowledges a lock of Mrs. Carlyle's hair, "eine unvergleichliche schwarze Haar locke," were also among the gleams of 1829. The great German died three years later, after receiving the birthday tribute, in his 82nd year, from English friends; and it is pleasant to remember that in this instance the disciple was to the end loyal to his master. To this period belong many other correspondences. "I am scribble scribbling," he says in a letter of 1832, and mere scribbling may fill many pages with few headaches; but Carlyle wrestled as he wrote, and not a page of those marvellous _Miscellanies_ but is red with his life's blood. Under all his reviewing, he was set on a work whose fortunes were to be the strangest, whose result was, in some respects, the widest of his efforts. The plan of _Sartor Resartus_ is far from original. Swift's _Tale of a Tub_ distinctly anticipates the Clothes Philosophy; there are besides manifest obligations to Reinecke Fuchs, Jean Paul Richter, and other German authors: but in our days originality is only possible in the handling; Carlyle has made an imaginary German professor the mere mouthpiece of his own higher aspirations and those of the Scotland of his day, and it remains the most popular as surely as his _Friedrich_ is the greatest of his works. The author was abundantly conscious of the value of the book, and super-abundantly angry at the unconsciousness of the literary patrons of the time. In 1831 he resolved if possible to go up to London to push the prospects of this first-born male child. The _res angusta_ stood in the way. Jeffrey, after asking his friend "what situation he could get him that he would detest the least," pressed on him "in the coolest, lightest manner the use of his purse." This Carlyle, to the extent of L50 as a loan (carefully returned), was induced ultimately to accept. It has been said that "proud men never wholly forgive those to whom they feel themselves obliged," but their resenting benefits is the worst feature of their pride. Carlyle made his second visit to London to seek types for _Sartor_, in vain. Always preaching reticence with the sound of artillery, he vents in many pages the rage of his chagrin at the "Arimaspian" publishers, who would not print his book, and the public which, "dosed with froth," would not buy it. The following is little softened by the chiaroscuro of five-and-thirty years:--