English drama -- Early modern and Elizabethan, 1500-1600; Heywood, Thomas, approximately 1574-1641
_Enter_ Sir Francis Acton _and_ Malby.
Sir Francis Acton.
Again to prison! Malby, hast thou seen
A poor slave better tortured? Shall we hear
The music of his voice cry from the grate,[1.22]
“Meat for the Lord’s sake”? No, no, yet I am not
Throughly revenged. They say he hath a pretty wench
Unto his sister: shall I, in mercy-sake
To him and to his kindred, bribe the fool
To shame herself by lewd dishonest lust?
I’ll proffer largely; but, the deed being done,
I’ll smile to see her base confusion.
Malby.
Methinks, Sir Francis, you are full revenged
For greater wrongs than he can proffer you.
See where the poor sad gentlewoman stands.
Sir Francis Acton.
Ha, ha! now will I flout her poverty,
Deride her fortunes, scoff her base estate;
My very soul the name of Mountford hates.
But stay, my heart! oh, what a look did fly
To strike my soul through with thy piercing eye!
I am enchanted; all my spirits are fled,
And with one glance my envious spleen struck dead.
Susan.
Acton! that seeks our blood. [_Runs away_.
Sir Francis Acton.
O chaste and fair!
Malby.
Sir Francis, why, Sir Francis, zounds! in a trance?
Sir Francis, what cheer, man? Come, come, how is’t?
Sir Francis Acton.
Was she not fair? Or else this judging eye
Cannot distinguish beauty.
Malby.
She was fair.
Sir Francis Acton.
She was an angel in a mortal’s shape,
And ne’er descended from old Mountford’s line.
But soft, soft, let me call my wits together.
A poor, poor wench, to my great adversary
Sister, whose very souls denounce stern war,
One against other. How now, Frank? turned fool
Or madman, whether? But no; master of
My perfect senses and directest wits.
Then why should I be in this violent humour
Of passion and of love; and with a person
So different every way, and so opposed
In all contractions, and still-warring actions?
Fie, fie; how I dispute against my soul!
Come, come; I’ll gain her, or in her fair quest
Purchase my soul free and immortal rest.
[_Exeunt_.
SCENE II.--_A Sitting-Room in_ Frankford’s _House_.
_Enter_ Serving-Men, _one with a voider and a wooden knife_[1.23]
_to take away; another with the salt and bread; another with the
table-cloth and napkins; another with the carpet:_[1.24] Jenkin
_follows them with two lights_.
Jenkin.
So, march in order, and retire in battle array. My master and the
guests have supped already, all’s taken away: here, now spread for
the serving-men in the hall. Butler, it belongs to your office.
Butler.
I know it, Jenkin. What d’ye call the gentleman that supped there
to-night?
Jenkin.
Who, my master?
Butler.
No, no; Master Wendoll, he’s a daily guest: I mean the gentleman
that came but this afternoon.
Public-domain text, read in full here on John Shaqi.
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