So far, nothing very remarkable had happened. But Moore, after going
away, remembered that he had left the pistols behind, and returned to
get them. The officer, however, refused to give them up, and made the
disagreeable explanation that foul play was suspected; a bullet having
been found in Moore's pistol, but none in that taken from Jeffrey. To
make matters worse, a report in the newspapers substituted the word
"pellet" for "bullet," and pleasantries were rife about author and
critic fighting with pellets of paper. Moore was furious, and persuaded
Horner to draw up an account of the matter, to be signed by the two
seconds, but Hume "took fright at the ridicule brought upon us by the
transaction" and refused to have any more to do with it. More than
thirty years elapsed before Moore was reconciled to the friend who thus
failed him, and his wrath was not unreasonable, since the explanation
published by himself in the _Times_ naturally carried little weight. Yet
it afterwards gave him ground for challenging Byron. Thus closely
connected are Moore's two attempts at duelling; and there is nothing
more characteristic of his life than the fact that in each case his
challenge was only the introduction to a friendship of the sincerest and
most honourable kind.
* * * * *
After the close of this episode Moore returned to Dublin,--some hackwork
for Carpenter on Sallust defraying his expenses--and remained there
till the spring of 1807, reading daily in Marsh's library for about
three hours and a half. "I have written nothing since I came here," he
tells Miss Godfrey--dating his letter Dublin, February 23rd--"except one
song which everybody says is the best I have ever composed." The
exception is notable, for this song may have been one of the first of
the _Irish Melodies_.
Public-domain text, read in full here on John Shaqi.
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