'Makes soft Ionic turn grave Lydian.' Except Habington's, no considerable body of amatory verse in all that century, certainly not even Cowley's more artificial sequence of 1647, is, on the whole, so free from stain. Stanley's exemption did not pass unnoticed; and William Fairfax ('no man fitter!') is careful to instruct us that Doris, Celinda, and Chariessa were 'various rays' of 'one orient sun,' and further, that 'no coy ambitious names may here imagine earthly flames,' because the poet's professional and deliberate homage was really paid to inward beauty, and never to 'roses of the cheek' alone. Here we run up against a sweet and famous moral of Carew's, which not Carew, but Stanley, bears out as the better symbolist of the two. Our poet does not appear to have contributed towards the religious literature of a day when the torrent of intense life in human hearts bred so much heaven-mounting spray, as well as so much necessary scum and refuse. But his was a temperament so religious that one almost expects to find somewhere a manuscript volume of 'pious thoughts,' the shy fruit of Stanley's Christian 'retirements' at home. It will be noticed that there is one sad devotional poem in this book, 'The lazy hours move slow'; and as it appears only in John Gamble's book, 1657, it may fairly be inferred that it was written later than the other lyrics. In 1657 Stanley was two-and-thirty, and his singing-time, so far as we know, was over. He had discharged it well. He fails where any true artist may ever be expected to fail, in verses occasional and complimentary. But, to balance this, he is often exceptionally happy when translating. His portrait, in middle age, by Faithorne after Lely, commends him to us all as quite worthy of the affection and applause which surrounded him from his youth, and never spoiled him. Brown-haired, hazel-eyed, fresh-cheeked, serene rather than gay, he seems the very incarnation of the ideal for which many others, less fortunate, hungered in that vexed England: the man 'innocent and quiet,' whose 'mind to him a kingdom is,' whose 'treasure is in Minerva's tower,' and 'who in the region of himself remains.' Through the Civil struggle, the Commonwealth, the Restoration, he had followed a way of peace, without blame, and he is almost the only poet of the stormy time who is absolutely unaffected by it. He, at least, need not be discounted as a pathetic broken crystal: he can be judged on his own little plot of ground, without allowances, and by our strictest modern standards. His light bright best, his _viridaria_, have borne victoriously the lava-drift of nearly three centuries. An amorist of even temper and of malice prepense, a railer with a sound heart, an untyrannic master of his Muse, Stanley sings low to his small jocund lyre, and need not be too curiously questioned about his sincerity. How can it matter? He gives delight; he deserves the bays.