Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
But did she love me? In a kind of way I think she did. I gratified her
vanity. Her successes so far had mostly been with genial young soldiers.
She had counted few literary men among her slaves. And being infected
with the queer snobbery of those who regard an artist, or any one
calling himself by that name, as somehow superior to other beings—she
was more impressed by a Café Royal loafer than by an efficient officer
and considered that it was a more arduous and finer thing to be able to
paint, or even appreciate, a cubist picture or play a piece by Bartok on
the piano than to run a business or plead in a court of law—being
therefore deeply convinced of my mysterious importance and
significance—she was flattered to have me abjectly gambolling around
her. There is a German engraving of the sixteenth century, made at the
time of the reaction against scholasticism, which represents a naked
Teutonic beauty riding on the back of a bald and bearded man, whom she
directs with a bridle and urges on with a switch. The old man is
labelled Aristotle. After two thousand years of slavery to the
infallible sage it was a good revenge. To Barbara, no doubt, I appeared
as a kind of minor Aristotle. But what made the comparison somewhat less
flattering to me was the fact that she was equally gratified by the
attentions of another literary man, the swarthy Syrian with the blue
jowl and the silver monocle. Even more gratified, I think; for he wrote
poems which were frequently published in the monthly magazines (mine,
alas, were not) and, what was more, he never lost an opportunity of
telling people that he was a poet; he was for ever discussing the
inconveniences and compensating advantages of possessing an artistic
temperament. That, for a time at any rate, she preferred me to the
Syrian was due to the fact that I was quite unattached and far more
hopelessly in love with Barbara than he. The red-haired and, to me,
inferior substitute for Buckle’s _History_ engrossed the greater part of
his heart at this time. Moreover, he was a calm and experienced lover
who did not lose his head about trifles. From me Barbara got passion of
a kind she could not have hoped for from the Syrian—a passion which, in
spite of my reluctance, in spite of my efforts to resist it, reduced me
to a state of abjection at her feet. It is pleasant to be worshipped, to
command and inflict pain; Barbara enjoyed these things as much as any
one.
It was the Syrian who in the end displaced me. I had noticed in October
that friends from South Africa, with whom it was necessary for Barbara
to lunch and dine, kept arriving in ever increasing quantities. And when
it wasn’t friends from South Africa it was Aunt Phoebe, who had become
suddenly importunate. Or old Mr. Goble, the one who had known her
grandfather so well. When I asked her to describe these festivities, she
either said:
Public-domain text, read in full here on John Shaqi.
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