Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
We are all apt to value unduly those things which happen to belong to
us. Provincial picture galleries are always stuffed with Raphaels and
Giorgiones. The most brilliant metropolis in Christendom, according to
its inhabitants, is Dublin. My gramophone and my Ford car are better
than yours. And how pathetically boring are those poor but cultured
tourists who show us their collection of picture postcards with as much
pride as if they had been the original paintings themselves.
With the palace Mrs. Aldwinkle had purchased vast domains unmentioned
in the contract. She had bought, to begin with, the Cybo Malaspina and
their history. This family, whose only claim to fame is to have
produced, a little before its extinction, that Prince of Massa Carrara
to whom the Old Woman in “Candide”—when she was young and a Pope’s
ravishing daughter—was once engaged to be married, had now become for
Mrs. Aldwinkle as splendid as the Gonzaga, the Este, the Medici, or
the Visconti. Even the dull Dukes of Modena, the tenants of the palace
(except during the brief Napoleonic interlude) between the extinction
of the Cybo Malaspina and the foundation of the Kingdom of Italy, even
the Dukes of Modena had so far profited by their connection with the
place that for Mrs. Aldwinkle they were now patrons of letters and
fathers of their people. And Napoleon’s sister, Elisa Bacciochi, who
had, while Princess of Lucca, passed more than one hot summer on these
heights, had come to be credited by the present owner with an
unbounded enthusiasm for the arts and, what in Mrs. Aldwinkle’s eyes
was almost more splendid, an unbounded enthusiasm for love. In Elisa
Buonaparte-Bacciochi Mrs. Aldwinkle had acquired a sister soul, whom
she alone understood.
It was the same with the landscape. It was hers down to the remote
horizon, and nobody but she could really give it its due. And then, how
she appreciated the Italians! Ever since she had bought a house in
Italy, she had become the one foreigner who knew them intimately. The
whole peninsula and everything it contained were her property and her
secret. She had bought its arts, its music, its melodious language, its
literature, its wine and cooking, the beauty of its women and the
virility of its Fascists. She had acquired Italian passion: _cuore_,
_amore_ and _dolore_ were hers. Nor had she forgotten to buy the
climate—the finest in Europe—the fauna—and how proud she was when she
read in her morning paper that a wolf had devoured a Pistoiese sportsman
within fifteen miles of home!—the flora—especially the red anemones and
the wild tulips—the volcanoes—still so wonderfully active—the
earthquakes....
“And now,” said Mrs. Aldwinkle, when she had polished off the view, “now
we must look at the house.”
Public-domain text, read in full here on John Shaqi.
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