Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
She turned her back on the view. “This part of the palace,” she said,
continuing her lecture, “dates from about 1630.” She pointed upwards
with her parasol; the coloured slides were now architectural. “A very
fine specimen of early baroque. What remains of the old castle, with the
tower, constitutes the eastern wing of the present house....”
Miss Thriplow, who had heard all this before, listened none the less
with the rapt expression of interest that one sees on the faces of
children at Royal Institution lectures; partly to atone in Mrs.
Aldwinkle’s eyes for the offence of having been at home when Calamy
arrived, and partly to impress Calamy himself with her capacity for
being frankly, totally and uncritically absorbed in the little affairs
of the moment.
“Now I’ll show you the inside of the palace,” said Mrs. Aldwinkle,
mounting the steps that led from the terrace to the house; her treasures
jingled at the end of their chains. Obediently Miss Thriplow and Calamy
followed in her wake.
“Most of the paintings,” proclaimed Mrs. Aldwinkle, “are by Pasquale da
Montecatini. A great painter—dreadfully underrated.” She shook her head.
Miss Thriplow was somewhat embarrassed when, at this remark, her
companion turned to her and made a hardly perceptible grimace. Whether
to smile confidentially and ironically back, whether to ignore the
grimace and preserve the Royal Institution expression—that was the
question. In the end she decided to ignore the tacit confidence.
On the threshold of the great saloon they were met by a young girl
dressed in a frock of pale pink linen, with a very young round face
(otherwise ingenuous than Miss Thriplow’s) looking out of a rectangular
window cut in a short smooth bell of copper-coloured hair. A pair of
wide-open pale blue eyes looked out from beneath the straight metallic
fringe. Her nose was small and delicately snubby. A short upper lip made
her look at once pathetic and merry, like a child. It was Mrs.
Aldwinkle’s niece, Irene.
She shook hands with Calamy.
“I suppose,” he said, “that I ought to tell you that you’ve grown up
tremendously since I saw you last. But the truth is that I don’t think
you have at all.”
“I can’t help my appearance,” she answered. “But inside....” Inside
Irene was older than the rocks on which she sat. It was not for nothing
that she had passed the five most impressionable years of her life under
her Aunt Lilian’s guardianship.
Mrs. Aldwinkle impatiently cut short the conversation. “I want you to
look at this ceiling,” she said to Calamy. Like hens drinking they
stared up at the rape of Europa. Mrs. Aldwinkle lowered her gaze. “And
the rustic work with the group of marine deities.” In a pair of large
niches, lined with shell-work and sponge-stone, two fishy groups
furiously writhed. “So delightfully _seicento_,” said Mrs. Aldwinkle.
Public-domain text, read in full here on John Shaqi.
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