Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
However much we should like to do so, however highly, in private, we
think of our abilities, we generally feel that it is bad form to boast
of our intelligence. But in regard to our qualities of heart we feel no
such shame; we talk freely of our kindness, bordering on weakness, of
our generosity carried almost to the point of folly (tempering our
boasting a little by making out that our qualities are so excessive as
to be defects). Miss Thriplow, however, was one of those rare people so
obviously and admittedly clever that there could be no objection to her
mentioning the fact as often as she liked; people would have called it
only justifiable self-esteem. But Miss Thriplow, perversely, did not
want to be praised or to praise herself for her intelligence. She was
chiefly anxious to make the world appreciative of her heart. When, as on
this occasion, she followed her natural bent towards smartness too far,
or when, carried away by the desire to make herself agreeable in
flashing company, she found herself saying something whose brilliance
was not in harmony with the possession of simple and entirely natural
emotions, she would recollect herself and hastily try to correct the
misapprehension she had created among her hearers. Now, therefore, at
the end of a moment’s lightning meditation, she managed to think of a
remark which admirably combined, she flattered herself, the most genuine
feeling for Nature with an elegantly recondite allusion—this last for
the benefit particularly of Mr. Cardan, who as a scholarly gentleman of
the old school was a great appreciator and admirer of learning.
“Yes, Bellini,” she said rapturously, picking up the reference from the
middle of Mrs. Aldwinkle’s last sentence. “What a wonderful gift of
melody! _Casta diva_—do you remember that?” And in a thin voice she sang
the first long phrase. “What a lovely line the melody traces out! Like
the line of those hills against the sky.” She pointed.
On the further side of the valley to westward of the promontory of hill
on which the palace stood, projected a longer and higher headland. From
the terrace one looked up at its huge impending mass.... It was at this
that Miss Thriplow now pointed. With her forefinger she followed the
scalloped and undulating outline of its silhouette.
“Even Nature, in Italy, is like a work of art,” she added.
Mrs. Aldwinkle was mollified. “That’s very true,” she said; and stepping
out, she began the evening’s promenading along the terrace. The train of
her velvet robe rustled after her over the dusty flagstones. Mrs.
Aldwinkle didn’t mind in the least if it got dirty. It was the general
effect that mattered; stains, dust, clinging twigs and millipedes—those
were mere details. She treated her clothes, in consequence, with a fine
aristocratic carelessness. The little troop followed her.
Public-domain text, read in full here on John Shaqi.
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