Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
Her first sight of him confirmed her in her belief that she had been
right to put on all her jewellery and her dashing manner. For the butler
ushered into the room positively the young man who, on the covers of
illustrated magazines, presses his red lips to those of the young woman
of his choice. No, that was a little unfair. He was not quite so
intolerably handsome and silly as that. He was just one of those awfully
nice, well-brought-up, uneducated young creatures who are such a relief,
sometimes, after too much highbrow society. Brown, blue-eyed, soldierly
and tall. Frightfully upper class and having all the glorious
self-confidence that comes of having been born rich and in a secure and
privileged position; a little insolent, perhaps, in his consciousness of
good looks, in his memory of amorous successes. But lazily insolent; the
roasted quails fell into his mouth; it was unnecessary to make an
effort. His eyelids drooped in a sleepy arrogance. She knew all about
him, at sight; oh, she knew everything.
He stood in front of her, looking down into her face, smiling and with
eyebrows questioningly raised, entirely unembarrassed. Miss Thriplow
stared back at him quite as jauntily. She too could be insolent when she
wanted to.
“You’re Mr. Calamy,” she informed him at last.
He inclined his head.
“My name is Mary Thriplow. Everybody else is out. I shall do my best to
entertain you.”
He bowed again, and took her extended hand. “I’ve heard a great deal
about you from Lilian Aldwinkle,” he said.
That she’d been a governess? Miss Thriplow wondered.
“And from lots of other people,” he went on. “Not to mention your
books.”
“Ah; but don’t let’s talk of those,” she waved them airily away.
“They’re irrelevant, one’s old books—irrelevant because they’re written
by some one who has ceased to exist. Let the dead bury their dead. The
only book that counts is the one one’s writing at the moment. And by the
time that it’s published and other people have begun to read it, that
too has become irrelevant. So that there never is a book of one’s own
that it’s interesting to talk about.” Miss Thriplow spoke languidly,
with a little drawl, smiling as she spoke and looking at Calamy with
half-closed eyes. “Let’s talk of something more interesting,” she
concluded.
“The weather,” he suggested.
“Why not?”
“Well, it’s a subject,” said Calamy, “about which, as a matter of fact,
I can speak at the moment with interest—I might almost say with warmth.”
He pulled out a coloured silk handkerchief and wiped his face. “Such an
inferno as those dusty roads in the plain I never walked through before.
Sometimes, I confess, in this Italian glare I pine for the glooms of
London, the parasol of smoke, the haze that takes the edge off a
building at a hundred yards and hangs mosquito netting half-way down
every vista.”
Public-domain text, read in full here on John Shaqi.
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