Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
Nonsense! nonsense! Do it yourselves! I'm not going to mix
myself up in this mess. (_Turning to the Child and coming
quickly with her on to the stage_): Come on, Rosetta, let's
run!
(THE BOY _follows them slowly, remaining a little behind and
seeming perplexed_).
THE STEP-DAUGHTER. (_Stops, bends over the Child and takes
the latter's face between her hands_). My little darling!
You're frightened, aren't you? You don't know where we are,
do you? (_Pretending to reply to a question of the Child_):
What is the stage? It's a place, baby, you know, where
people play at being serious, a place where they act
comedies. We've got to act a comedy now, dead serious, you
know; and you're in it also, little one. (_Embraces her,
pressing the little head to her breast, and rocking the
child for a moment_). Oh darling, darling, what a horrid
comedy you've got to play! What a wretched part they've
found for you! A garden ... a fountain ... look ... just
suppose, kiddie, it's here. Where, you say? Why, right here
in the middle. It's all pretence you know. That's the
trouble, my pet: it's all make-believe here. It's better to
imagine it though, because if they fix it up for you, it'll
only be painted cardboard, painted cardboard for the
rockery, the water, the plants.... Ah, but I think a baby
like this one would sooner have a make-believe fountain than
a real one, so she could play with it. What a joke it'll be
for the others! But for you, alas! not quite such a joke:
you who are real, baby dear, and really play by a real
fountain this big and green and beautiful, with ever so many
bamboos around it that are reflected in the water, and a
whole lot of little ducks swimming about.... No, Rosetta,
no, your mother doesn't bother about you on account of that
wretch of a son there. I'm in the devil of a temper, and as
for that lad.... (_Seizes Boy by the arm to force him to
take one of his hands out of his pockets_). What have you
got there? What are you hiding? (_Pulls his hand out of his
pocket, looks into it and catches the glint of a revolver_).
Ah! where did you get this?
(THE BOY, _very pale in the face, looks at her, but does not
answer_).
Idiot! If I'd been in your place, instead of killing myself,
I'd have shot one of those two, or both of them: father and
son.
(THE FATHER _enters from the office, all excited from his
work_. THE MANAGER _follows him_).
THE FATHER. Come on, come on dear! Come here for a minute!
We've arranged everything. It's all fixed up.
THE MANAGER (_also excited_). If you please, young lady,
there are one or two points to settle still. Will you come
along?
THE STEP-DAUGHTER (_following him towards the office_).
Ouff! what's the good, if you've arranged everything.
Public-domain text, read in full here on John Shaqi.
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