Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
THE STEP-DAUGHTER. It's true. I too have sought to tempt
him, many, many times, when he has been sitting at his
writing table, feeling a bit melancholy, at the twilight
hour. He would sit in his armchair too lazy to switch on the
light, and all the shadows that crept into his room were
full of our presence coming to tempt him. (_As if she saw
herself still there by the writing table, and was annoyed by
the presence of the actors_): Oh, if you would only go away,
go away and leave us alone--mother here with that son of
hers--I with that Child--that Boy there always alone--and
then I with him (_just hints at the Father_)--and then I
alone, alone ... in those shadows! (_Makes a sudden movement
as if in the vision she has of herself illuminating those
shadows she wanted to seize hold of herself_). Ah! my life!
my life! Oh, what scenes we proposed to him--and I tempted
him more than any of the others!
THE FATHER. Maybe. But perhaps it was your fault that he
refused to give us life: because you were too insistent, too
troublesome.
THE STEP-DAUGHTER. Nonsense! Didn't he make me so himself?
(_Goes close to the Manager to tell him as if in
confidence_). In my opinion he abandoned us in a fit of
depression, of disgust for the ordinary theatre as the
public knows it and likes it.
THE SON. Exactly what it was, sir; exactly that!
THE FATHER. Not at all! Don't believe it for a minute.
Listen to me! You'll be doing quite right to modify, as you
suggest, the excesses both of this girl here, who wants to
do too much, and of this young man, who won't do anything at
all.
THE SON. No, nothing!
THE MANAGER. You too get over the mark occasionally, my dear
sir, if I may say so.
THE FATHER. I? When? Where?
THE MANAGER. Always! Continuously! Then there's this
insistence of yours in trying to make us believe you are a
character. And then too, you must really argue and
philosophize less, you know, much less.
THE FATHER. Well, if you want to take away from me the
possibility of representing the torment of my spirit which
never gives me peace, you will be suppressing me: that's
all. Every true man, sir, who is a little above the level of
the beasts and plants does not live for the sake of living,
without knowing how to live; but he lives so as to give a
meaning and a value of his own to life. For me this is
_everything_. I cannot give up this, just to represent a
mere fact as she (_indicating the Step-Daughter_) wants.
It's all very well for her, since her "vendetta" lies in the
"fact." I'm not going to do it. It destroys my _raison
d'être_.
THE MANAGER. Your _raison d'être!_ Oh, we're going ahead
fine! First she starts off, and then you jump in. At this
rate, we'll never finish.
Public-domain text, read in full here on John Shaqi.
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