Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
LANDOLPH. Cheer up, my dear fellow! We don't any of us know
who we are really. He's Harold; he's Ordulph; I'm Landolph!
That's the way he calls us. We've got used to it. But who
are we? Names of the period! Yours, too, is a name of the
period: Berthold! Only one of us, poor Tito, had got a
really decent part, as you can read in history: that of the
Bishop of Bremen. He was just like a real bishop. Tito did
it awfully well, poor chap!
HAROLD. Look at the study he put into it!
LANDOLPH. Why, he even ordered his Majesty about, opposed
his views, guided and counselled him. We're "secret
counsellors"--in a manner of speaking only; because it is
written in history that Henry IV. was hated by the upper
aristocracy for surrounding himself at court with young men
of the bourgeoise.
ORDULPH. Us, that is.
LANDOLPH. Yes, small devoted vassals, a bit dissolute and
very gay....
BERTHOLD. So I've got to be gay as well?
HAROLD. I should say so! Same as we are!
ORDULPH. And it isn't too easy, you know.
LANDOLPH. It's a pity; because the way we're got up, we
could do a fine historical reconstruction. There's any
amount of material in the story of Henry IV. But, as a
matter of fact, we do nothing. We have the form without the
content. We're worse than the real secret counsellors of
Henry IV.; because certainly no one had given them a part to
play--at any rate, they didn't feel they had a part to play.
It was their life. They looked after their own interests at
the expense of others, sold investitures and--what not! We
stop here in this magnificent court--for what?--Just doing
nothing. We're like so many puppets hung on the wall,
waiting for some one to come and move us or make us talk.
HAROLD. Ah no, old sport, not quite that! We've got to give
the proper answer, you know. There's trouble if he asks you
something and you don't chip in with the cue.
LANDOLPH. Yes, that's true.
BERTHOLD. Don't rub it in too hard! How the devil am I to
give him the proper answer, if I've swatted up Henry IV. of
France, and now he turns out to be Henry IV. of Germany?
(_The other three laugh_).
HAROLD. You'd better start and prepare yourself at once.
ORDULPH. We'll help you out.
HAROLD. We've got any amount of books on the subject. A
brief run through the main points will do to begin with.
ORDULPH. At any rate, you must have got some sort of general
idea.
HAROLD. Look here! (_Turns him around and shows him the
portrait of the Marchioness Matilda on the wall_). Who's
that?
BERTHOLD (_looking at it_). That? Well, the thing seems to
me somewhat out of place, anyway: two modern paintings in
the midst of all this respectable antiquity!
Public-domain text, read in full here on John Shaqi.
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