Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
HAROLD. You're right! They weren't there in the beginning.
There are two niches there behind the pictures. They were
going to put up two statues in the style of the period. Then
the places were covered with those canvasses there.
LANDOLPH (_interrupting and continuing_). They would
certainly be out of place if they really were paintings!
BERTHOLD. What are they, if they aren't paintings?
LANDOLPH. Go and touch them! Pictures all right ... but for
him! (_Makes a mysterious gesture to the right, alluding to
Henry IV._.) ... who never touches them!...
BERTHOLD. No? What are they for him?
LANDOLPH. Well, I'm only supposing, you know; but I imagine
I'm about right. They're images such as ... well--such as a
mirror might throw back. Do you understand? That one there
represents himself, as he is in this throne room, which is
all in the style of the period. What's there to marvel at?
If we put you before a mirror, won't you see yourself,
alive, but dressed up in ancient costume? Well, it's as if
there were two mirrors there, which cast back living images
in the midst of a world which, as you will see, when you
have lived with us, comes to life too.
BERTHOLD. I say, look here ... I've no particular desire to
go mad here.
HAROLD. Go mad, be hanged! You'll have a fine time!
BERTHOLD. Tell me this: how have you all managed to become
so learned?
LANDOLPH. My dear fellow, you can't go back over 800 years
of history without picking up a bit of experience.
HAROLD. Come on! Come on! You'll see how quickly you get
into it!
ORDULPH. You'll learn wisdom, too, at this school.
BERTHOLD. Well, for Heaven's sake, help me a bit! Give me
the main lines, anyway.
HAROLD. Leave it to us. We'll do it all between us.
LANDOLPH. We'll put your wires on you and fix you up like a
first class marionette. Come along! (_They take him by the
arm to lead him away_).
BERTHOLD (_stopping and looking at the portrait on the
wall_). Wait a minute! You haven't told me who that is. The
Emperor's wife?
HAROLD. No! The Emperor's wife is Bertha of Susa, the sister
of Amadeus II. of Savoy.
ORDULPH. And the Emperor, who wants to be young with us,
can't stand her, and wants to put her away.
LANDOLPH. That is his most ferocious enemy: Matilda,
Marchioness of Tuscany.
BERTHOLD. Ah, I've got it: the one who gave hospitality to
the Pope!
LANDOLPH. Exactly: at Canossa!
ORDULPH. Pope Gregory VII.!
HAROLD. Our _bête noir_! Come on! come oh! (_All four move
toward the right to go out, when, from the left, the old
servant John enters in evening dress_).
JOHN (_quickly, anxiously_). Hss! Hss! Frank! Lolo!
HAROLD (_turning round_). What is it?
Public-domain text, read in full here on John Shaqi.
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