Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
DONNA MATILDA (_glancing round for her portrait, discovers
it, and goes up close to it_). Ah! Here it is! (_Going back
to admire it, while mixed emotions stir within her_). Yes
... yes ... (_Calls her daughter Frida_).
FRIDA. Ah, your portrait!
DONNA MATILDA. No, no ... look again; it's you, not I,
there!
DI NOLLI. Yes, it's quite true. I told you so, I....
DONNA MATILDA. But I would never have believed it! (_Shaking
as if with a chili_). What a strange feeling it gives one!
(_Then looking at her daughter_). Frida, what's the matter?
(_She pulls her to her side, and slips an arm round her
waist_). Come: don't you see yourself in me there?
FRIDA. Well, I really....
DONNA MATILDA. Don't you think so? Don't you, really?
(_Turning to Belcredi_). Look at it, Tito! Speak up, man!
BELCREDI (_without looking_). Ah, no! I shan't look at it.
For me, _a priori_, certainly not!
DONNA MATILDA. Stupid! You think you are paying me a
compliment! (_Turing to Doctor Genoni_). What do you say,
Doctor? Do say something, please!
DOCTOR (_makes a movement to go near to the picture_).
BELCREDI (_with his back turned, pretending to attract his
attention secretly_).--Hss! No, doctor! For the love of
Heaven, have nothing to do with it!
DOCTOR (_getting bewildered and smiling_). And why shouldn't
I?
DONNA MATILDA. Don't listen to him! Come here! He's
insufferable!
FRIDA. He acts the fool by profession, didn't you know that?
BELCREDI (_to the Doctor, seeing him go over_). Look at your
feet, doctor! Mind where you're going!
DOCTOR. Why?
BELCREDI. Be careful you don't put your foot in it!
DOCTOR (_laughing feebly_). No, no. After all, it seems to
me there's no reason to be astonished at the fact that a
daughter should resemble her mother!
BELCREDI. Hullo! Hullo! He's done it now; he's said it.
DONNA MATILDA (_with exaggerated anger, advancing towards
Belcredi_). What's the matter? What has he said? What has he
done?
DOCTOR (_candidly_). Well, isn't it so?
BELCREDI (_answering the Marchioness_). I said there was
nothing to be astounded at--and you are astounded! And why
so, then, if the thing is so simple and natural for you now?
DONNA MATILDA (_still more angry_). Fool! fool! It's just
because it is so natural! Just because it isn't my daughter
who is there. (_Pointing to the canvass_). That is my
portrait; and to find my daughter there instead of me fills
me with astonishment, an astonishment which, I beg you to
believe, is sincere. I forbid you to cast doubts on it.
FRIDA (_slowly and wearily_). My God! It's always like this
... rows over nothing....
Public-domain text, read in full here on John Shaqi.
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