Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
BERTHOLD. Yes, yes, seriously!
DOCTOR. I told you so!
FRIDA. Oh God, oh God!
DI NOLLI. Frida, come here!
DONNA MATILDA. He's mad, mad!
DI NOLLI. Hold him!
BELCREDI (_while they take him away by the left exit, he
protests as he is borne out_). No, no, you're not mad!
You're not mad. He's not mad!
(_They go out by the left amid cries and excitement. After a
moment, one hears a still sharper, more piercing cry from
Donna Matilda, and then, silence_).
HENRY IV. (_who has remained on the stage between Landolph,
Harold and Ordulph, with his eyes almost starting out of his
head, terrified by the life of his own masquerade which has
driven him to crime_). Ah now ... yes now ... inevitably
(_calls his valets around him as if to protect him_) here
together ... here together ... for ever ... for ever.
_Curtain._
NOTE TO "HENRY IV."
With the author's consent and approval, the translator has
omitted a few lines from the original Italian where their
highly parenthetical character made the English version
unnecessarily complex. One or two allusions have also been
suppressed since they have not the same value in English as
in Italian.--E.S.
RIGHT YOU ARE! (IF YOU THINK SO)
(_Così è, se vi pare!_)
A PARABLE IN THREE ACTS
BY
LUIGI PIRANDELLO
TRANSLATED BY
ARTHUR LIVINGSTON
CHARACTERS
LAMBERTO LAUDISI. SIGNORA FROLA. PONZA,
SON-IN-LAW OF SIGNORA FROLA. SIGNORA
PONZA, PONZA'S WIFE. COMMENDATORE
AGAZZI, A PROVINCIAL COUNCILLOR.
AMALIA, HIS WIFE. DINA, THEIR DAUGHTER.
SIRELLI. SIGNORA SIRELLI, HIS WIFE. THE
PREFECT. CENTURI, A POLICE
COMMISSIONER. SIGNORA CINI. SIGNORA
NENNI. A BUTLER. A NUMBER OF GENTLEMEN
AND LADIES.
OUR OWN TIMES, IN A SMALL ITALIAN TOWN,
THE CAPITAL OF A PROVINCE.
RIGHT YOU ARE! (IF YOU THINK SO)
ACT I
_The parlor in the house of Commendatore Agazzi._
_A door, the general entrance, at the back; doors leading to
the wings, left and right._
LAUDISI _is a man nearing the forties, quick and energetic
in his movements. He is smartly dressed, in good taste. At
this moment he is wearing a semi-formal street suit: a sack
coat, of a violet cast, with black lapels, and with black
braid around the edges; trousers of a light but different
color. Laudisi has a keen, analytical mind, but is impatient
and irritable in argument. Nevertheless, however angry he
gets momentarily, his good humor soon comes to prevail. Then
he laughs and lets people have their way, enjoying,
meanwhile, the spectacle of the stupidity and gullibility of
others._
Public-domain text, read in full here on John Shaqi.
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