NANCY. Fifteen pounds! (_Suddenly remembering_) Now what would you
_really_ like for dinner?
BROXOPP (_going over to her and taking her hands_). Nancy, _you_
believed in me all the time. It has been weary waiting for you, but
now—(_answering her question_) I think I should like a kiss.
NANCY (_kissing him and staying very close_). Of course I believed in
you, my wonderful man. And now they’ll all believe in you. (_After a
pause_) Who believed the fifteen pounds? Was it Mr. Spenlow?
BROXOPP. Spenlow? Bah! (_He strides across the room and tears down the
Spenlow advertisements._) Spenlow comes down—like his suspenders.
_Facilis descensus Spenlovi._ (_Dramatically_) I see the man Spenlow
begging his bread from door to door. I see his wife’s stockings
falling in swathes about her ankles. I see——
NANCY. Darling!
BROXOPP. You’re quite right, dear. I’m being vulgar again. And worse
than that—uncharitable. When we are rich, we will ask the Spenlows
to stay with us. We will be kind to them; we will provide them with
suspenders.
NANCY (_bringing him back to the point_). Jim! (_She holds up the
money._) You haven’t told me yet.
BROXOPP (_carelessly_). Oh, that? That was from Fordyce.
NANCY. The Fordyce cheap Restaurants?
BROXOPP. The same. I had an inspiration this morning. I forced my way
into the office of the man Fordyce, and I took him on one side and
whispered winged words into his ear. I said (_dramatically_) “Fordyce
fills you for fivepence.” It will be all over London to-morrow.
“Fordyce fills you for fivepence.” What an arresting thought to a
hungry man!
NANCY. Shall we have dinner there to-day, dear?
BROXOPP. Good heavens, no! It is sufficient that I drag others into
his beastly eating-house. _We_ will dine on champagne, regally.
NANCY. Darling, I know you are an artist and mustn’t be thwarted,
but—there’s the rent—and—and other days coming—and——
BROXOPP (_dropping into his chair again_). Nancy, come and sit on my
knee. (_With suppressed excitement_) Quick, while I’m sitting down. I
shall be wanting to walk about directly. This room is too small for
me. (_She comes to him._) Nancy, it has been a hard struggle for you,
I’m afraid.
NANCY. I’ve loved it, Jim.
BROXOPP. Well, that’s over now. Now the real fun is beginning.
(_Triumphantly_) Nancy, I’m on my own at last. Broxopp is on his own!
(_He puts her down impetuously and jumps up._) I look into the future
and what do I see? I see on every hoarding, I see on the side of every
omnibus, I see dotted among the fields along the great railway routes
these magic words: “BROXOPP’S BEANS FOR BABIES.”
NANCY (_carried away_). Darling!
BROXOPP. Yes! I have begun. And now the world will see what
advertisement can do in the hands of an artist. Broxopp’s Beans for
Babies!
NANCY. But—(_timidly_) do babies like beans?
Public-domain text, read in full here on John Shaqi.
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