We may therefore take it on the authority of the Select Committee that the prohibition by the English censorship of the public performances of the three plays in this book does not afford the smallest reasonable ground for condemning them as improper—rather the contrary. As a matter of fact, most men, if asked to guess the passages to which the Censor took exception, would guess wrongly. Certainly a Frenchman would. The reason is that though in England as in France what is called decency is not a reasoned discrimination between what needs to be said and what ought not to be said, but simply the observance of a set of taboos, these taboos are not the same in England as in France. A Frenchman of scrupulously correct behavior will sometimes quite innocently make an English lady blush by mentioning something that is unmentionable in polite society in England though quite mentionable in France. To take a simple illustration, an Englishman, when he first visits France, is always embarrassed, and sometimes shocked, on finding that the person in charge of a public lavatory for men is a woman. I cannot give reciprocal instances of the ways in which Englishmen shock the French nation, because I am happily unconscious of all the _cochonneries_ of which I am no doubt guilty when I am in France. But that I do occasionally shock the brave French bourgeois to the very marrow of his bones by my indelicacy, I have not the smallest doubt. There is only one epithet in universal use for foreigners. That epithet is ‘dirty.’ The Attitude of the People to the Literary Arts.