Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.Flaubert, Gustave
General
Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.
Flaubert, Gustave
France -- Social life and customs -- Fiction
One day, during mass, he raised his head and beheld a little white
mouse crawling out of a hole in the wall. It scrambled to the
first altar-step and then, after a few gambols, ran back in the
same direction. On the following Sunday, the idea of seeing the
mouse again worried him. It returned; and every Sunday after that
he watched for it; and it annoyed him so much that he grew to hate
it and resolved to do away with it.
So, having closed the door and strewn some crumbs on the steps of
the altar, he placed himself in front of the hole with a stick.
After a long while a pink snout appeared, and then whole mouse
crept out. He struck it lightly with his stick and stood stunned
at the sight of the little, lifeless body. A drop of blood stained
the floor. He wiped it away hastily with his sleeve, and picking
up the mouse, threw it away, without saying a word about it to
anyone.
All sorts of birds pecked at the seeds in the garden. He put some
peas in a hollow reed, and when he heard birds chirping in a tree,
he would approach cautiously, lift the tube and swell his cheeks;
then, when the little creatures dropped about him in multitudes,
he could not refrain from laughing and being delighted with his
own cleverness.
One morning, as he was returning by way of the curtain, he beheld
a fat pigeon sunning itself on the top of the wall. He paused to
gaze at it; where he stood the rampart was cracked and a piece of
stone was near at hand; he gave his arm a jerk and the well-aimed
missile struck the bird squarely, sending it straight into the
moat below.
He sprang after it, unmindful of the brambles, and ferreted around
the bushes with the litheness of a young dog.
The pigeon hung with broken wings in the branches of a privet
hedge.
The persistence of its life irritated the boy. He began to
strangle it, and its convulsions made his heart beat quicker, and
filled him with a wild, tumultuous voluptuousness, the last throb
of its heart making him feel like fainting.
At supper that night, his father declared that at his age a boy
should begin to hunt; and he arose and brought forth an old
writing-book which contained, in questions and answers, everything
pertaining to the pastime. In it, a master showed a supposed pupil
how to train dogs and falcons, lay traps, recognise a stag by its
fumets, and a fox or a wolf by footprints. He also taught the best
way of discovering their tracks, how to start them, where their
refuges are usually to be found, what winds are the most
favourable, and further enumerated the various cries, and the
rules of the quarry.
When Julian was able to recite all these things by heart, his
father made up a pack of hounds for him. There were twenty-four
greyhounds of Barbary, speedier than gazelles, but liable to get
out of temper; seventeen couples of Breton dogs, great barkers,
with broad chests and russet coats flecked with white. For
wild-boar hunting and perilous doublings, there were forty
boarhounds as hairy as bears.
Public-domain text, read in full here on John Shaqi.
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