Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul. — John Shaqi
Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.Flaubert, Gustave
General
Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.
Flaubert, Gustave
France -- Social life and customs -- Fiction
The parents kept their secret from each other. But both cherished
the child with equal devotion, and as they considered him marked
by God, they had great regard for his person. His cradle was lined
with the softest feathers, and lamp representing a dove burned
continually over it; three nurses rocked him night and day, and
with his pink cheeks and blue eyes, brocaded cloak and embroidered
cap he looked like a little Jesus. He cut all his teeth without
even a whimper.
When he was seven years old his mother taught him to sing, and his
father lifted him upon a tall horse, to inspire him with courage.
The child smiled with delight, and soon became familiar with
everything pertaining to chargers. An old and very learned monk
taught him the Gospel, the Arabic numerals, the Latin letters, and
the art of painting delicate designs on vellum. They worked in the
top of a tower, away from all noise and disturbance.
When the lesson was over, they would go down into the garden and
study the flowers.
Sometimes a herd of cattle passed through the valley below, in
charge of a man in Oriental dress. The lord of the manor,
recognising him as a merchant, would despatch a servant after him.
The stranger, becoming confident, would stop on his way and after
being ushered into the castle-hall, would display pieces of velvet
and silk, trinkets and strange objects whose use was unknown in
those parts. Then, in due time, he would take leave, without
having been molested and with a handsome profit.
At other times, a band of pilgrims would knock at the door. Their
wet garments would be hung in front of the hearth and after they
had been refreshed by food they would relate their travels, and
discuss the uncertainty of vessels on the high seas, their long
journeys across burning sands, the ferocity of the infidels, the
caves of Syria, the Manger and the Holy Sepulchre. They made
presents to the young heir of beautiful shells, which they carried
in their cloaks.
The lord of the manor very often feasted his brothers-at-arms, and
over the wine the old warriors would talk of battles and attacks,
of war-machines and of the frightful wounds they had received, so
that Julian, who was a listener, would scream with excitement;
then his father felt convinced that some day he would be a
conqueror. But in the evening, after the Angelus, when he passed
through the crowd of beggars who clustered about the church-door,
he distributed his alms with so much modesty and nobility that his
mother fully expected to see him become an archbishop in time.
His seat in the chapel was next to his parents, and no matter how
long the services lasted, he remained kneeling on his _prie-dieu,_
with folded hands and his velvet cap lying close beside him on the
floor.
Public-domain text, read in full here on John Shaqi.
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