Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul. — John Shaqi
Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.Flaubert, Gustave
General
Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.
Flaubert, Gustave
France -- Social life and customs -- Fiction
The stained windows dimmed the pale light of dawn. Julian stumbled
over some garment's lying on the floor and a little further on, he
knocked against a table covered with dishes. "She must have
eaten," he thought; so he advanced cautiously towards the bed
which was concealed by the darkness in the back of the room. When
he reached the edge, he leaned over the pillow where the two heads
were resting close together and stooped to kiss his wife. His
mouth encountered a man's beard.
He fell back, thinking he had become crazed; then he approached
the bed again and his searching fingers discovered some hair which
seemed to be very long. In order to convince himself that he was
mistaken, he once more passed his hand slowly over the pillow. But
this time he was sure that it was a beard and that a man was
there! a man lying beside his wife!
Flying into an ungovernable passion, he sprang upon them with his
drawn dagger, foaming, stamping and howling like a wild beast.
After a while he stopped.
The corpses, pierced through the heart, had not even moved. He
listened attentively to the two death-rattles, they were almost
alike, and as they grew fainter, another voice, coming from far
away, seemed to continue them. Uncertain at first, this plaintive
voice came nearer and nearer, grew louder and louder and presently
he recognised, with a feeling of abject terror, the bellowing of
the great black stag.
And as he turned around, he thought he saw the spectre of his wife
standing at the threshold with a light in her hand.
The sound of the murder had aroused her. In one glance she
understood what had happened and fled in horror, letting the
candle drop from her hand. Julian picked it up.
His father and mother lay before him, stretched on their backs,
with gaping wounds in their breasts; and their faces, the
expression of which was full of tender dignity, seemed to hide
what might be an eternal secret.
Splashes and blotches of blood were on their white skin, on the
bed-clothes, on the floor, and on an ivory Christ which hung in
the alcove. The scarlet reflection of the stained window, which
just then was struck by the sun, lighted up the bloody spots and
appeared to scatter them around the whole room. Julian walked
toward the corpses, repeating to himself and trying to believe
that he was mistaken, that it was not possible, that there are
often inexplicable likenesses.
At last he bent over to look closely at the old man and he saw,
between the half-closed lids, a dead pupil that scorched him like
fire. Then he went over to the other side of the bed, where the
other corpse lay, but the face was partly hidden by bands of white
hair. Julian slipped his finger beneath them and raised the head,
holding it at arm's length to study its features, while, with his
other hand he lifted the torch. Drops of blood oozed from the
mattress and fell one by one upon the floor.
Public-domain text, read in full here on John Shaqi.
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