Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.Flaubert, Gustave
General
Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.
Flaubert, Gustave
France -- Social life and customs -- Fiction
At the close of the day, he appeared before his wife, and in a
changed voice commanded her first not to answer him, not to
approach him, not even to look at him, and to obey, under the
penalty of eternal damnation, every one of his orders, which were
irrevocable.
The funeral was to be held in accordance with the written
instructions he had left on a chair in the death-chamber.
He left her his castle, his vassals, all his worldly goods,
without keeping even his clothes or his sandals, which would be
found at the top of the stairs.
She had obeyed the will of God in bringing about his crime, and
accordingly she must pray for his soul, since henceforth he should
cease to exist.
The dead were buried sumptuously in the chapel of a monastery
which it took three days to reach from the castle. A monk wearing
a hood that covered his head followed the procession alone, for
nobody dared to speak to him. And during the mass, he lay flat on
the floor with his face downward and his arms stretched out at his
sides.
After the burial, he was seen to take the road leading into the
mountains. He looked back several times, and finally passed out of
sight.
CHAPTER III
THE REPARATION
He left the country and begged his daily bread on his way.
He stretched out his hand to the horsemen he met in the roads, and
humbly approached the harvesters in the fields; or else remained
motionless in front of the gates of castles; and his face was so
sad that he was never turned away.
Obeying a spirit of humility, he related his history to all men,
and they would flee from him and cross themselves. In villages
through which he had passed before, the good people bolted the
doors, threatened him, and threw stones at him as soon as they
recognised him. The more charitable ones placed a bowl on the
window-sill and closed the shutters in order to avoid seeing him.
Repelled and shunned by everyone, he avoided his fellow-men and
nourished himself with roots and plants, stray fruits and shells
which he gathered along the shores.
Often, at the bend of a hill, he could perceive a mass of crowded
roofs, stone spires, bridges, towers and narrow streets, from
which arose a continual murmur of activity.
The desire to mingle with men impelled him to enter the city. But
the gross and beastly expression of their faces, the noise of
their industries and the indifference of their remarks, chilled
his very heart. On holidays, when the cathedral bells rang out at
daybreak and filled the people's hearts with gladness, he watched
the inhabitants coming out of their dwellings, the dancers in the
public squares, the fountains of ale, the damask hangings spread
before the houses of princes; and then, when night came, he would
peer through the windows at the long tables where families
gathered and where grandparents held little children on their
knees; then sobs would rise in his throat and he would turn away
and go back to his haunts.
Public-domain text, read in full here on John Shaqi.
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