Soldiers -- Fiction; War stories; World War, 1914-1918 -- Fiction
“Si Monsieur desire.... It's that life is so dear nowadays. Poor people
like us can barely get along.”
“I know that only too well,” said Andrews.
“Monsieur est etranger....” began the woman in a wheedling tone, when
she had received the money.
“Yes. I was only demobilized a short time ago.”
“Aha! Monsieur est demobilise. Monsieur remplira la petite feuille pour
la police, n'est-ce pas?”
The woman brought from behind her back a hand that held a narrow printed
slip.
“All right. I'll fill it out now,” said Andrews, his heart thumping.
Without thinking what he was doing, he put the paper on the edge of
the billiard table and wrote: “John Brown, aged 23. Chicago Ill.,
Etats-Unis. Musician. Holder of passport No. 1,432,286.”
“Merci, Monsieur. A bientot, Monsieur. Au revoir, Monsieur.”
The woman's singing voice followed him up the rickety stairs to his
room. It was only when he had closed the door that he remembered that he
had put down for a passport number his army number. “And why did I write
John Brown as a name?” he asked himself.
“John Brown's body lies a-mouldering in the grave,
But his soul goes marching on.
Glory, glory, hallelujah!
But his soul goes marching on.”
He heard the song so vividly that he thought for an instant someone must
be standing beside him singing it. He went to the window and ran his
hand through his hair. Outside the Loire rambled in great loops towards
the blue distance, silvery reach upon silvery reach, with here and there
the broad gleam of a sand bank. Opposite were poplars and fields patched
in various greens rising to hills tufted with dense shadowy groves. On
the bare summit of the highest hill a windmill waved lazy arms against
the marbled sky.
Gradually John Andrews felt the silvery quiet settle about him. He
pulled a sausage and a piece of bread out of the pocket of his coat,
took a long swig of water from the pitcher on his washstand, and settled
himself at the table before the window in front of a pile of ruled
sheets of music paper. He nibbled the bread and the sausage meditatively
for a long while, then wrote “Arbeit und Rhythmus” in a large careful
hand at the top of the paper. After that he looked out of the window
without moving, watching the plumed clouds sail like huge slow ships
against the slate-blue sky. Suddenly he scratched out what he had
written and scrawled above it: “The Body and Soul of John Brown.” He got
to his feet and walked about the room with clenched hands.
“How curious that I should have written that name. How curious that I
should have written that name!” he said aloud.
He sat down at the table again and forgot everything in the music that
possessed him.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account