South America -- Description and travel; South America -- History
Describing the temple, the historian of the conquest, Garcilaso de la
Vega (and there was no one better qualified to write on the subject, for
he was himself, on the maternal side, a grandson of one of the last of
the Inca kings), says that “All the four walls were covered from roof to
floor with plates and slabs of gold. In the side, where we should place
the altar, they placed a figure of the Sun, made of a plate of gold of a
thickness double that of the other plates which covered the walls. The
figure was made with a circular face and rays of fire issuing from it,
all of one piece, just as the sun is represented by painters. It was so
large as to occupy one side of the temple from one wall to the other.”
Even the doorposts were of gold. One door, encased in silver, led to a
hall dedicated to the Moon-Goddess, where the images and furnishings
were all of silver, as were also the decorations of the mummies of the
Incas’ wives.
“The walls of their palaces,” Markham says, “were built of stone, of a
dark slate color, with recesses and doors at certain intervals, the
sides of the doors approaching each other” (narrowing toward the top)
“and supporting huge stone lintels. The side walls were pierced with
small square windows, as in the ruins of Manco Capac’s palace, and the
roofs were thatched with the _ycha_, or long grass of the Andes. The
interior consisted of several spacious halls, with smaller rooms opening
into them, and the interior walls were adorned with golden animals and
flowers, executed with much skill and taste. Mirrors of a hard stone,
highly polished, hung on stone pegs, while in the numerous recesses were
utensils and _conopas_ (household gods) of gold and silver,
fantastically designed. The couches were of vicuna cloth of the softest
and finest texture.”
Of the palaces of the Incas, Francisco Lopez de Gomara tells us that
“all the service of their house, table and kitchen, was of gold and
silver, or at least of silver and copper. The Inca had in his chamber
hollow statues of gold, which appeared like giants, and others naturally
imitated from animals, birds, and trees, from plants produced by the
land and from such fish as are yielded by the waters of the kingdom. He
also had ropes, baskets and hampers of gold and silver and piles of
golden sticks to imitate fuel prepared for burning. In short, there was
nothing that his territory produced that he had not got imitated in
gold.”
Public-domain text, read in full here on John Shaqi.
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