South America -- Description and travel; South America -- History
Cieza de Leon says of the magnificence of the harvest festivals
celebrated in the great plaza of the temple: “We hold it to be very
certain that neither in Jerusalem, nor in Rome, nor in Persia, nor in
any other part of the world, was such wealth of gold and silver and
precious stones collected together.” In his later years, while living in
Spain, Garcilaso de la Vega, who had been just as enthusiastic in his
description, and seemed to fear that he might be suspected of romancing,
took occasion to write that “this is not hard for those to believe who
have since seen so much gold and silver arrive here from that land. In
the year 1595 alone, within the space of eight months, thirty-five
millions of gold and silver crossed the bar of San Lucar in three
cargoes.”
“Many generations of culture and Inca rule had produced men of a very
different physical type,” Markham tells us, “from the Peruvian Indian of
to-day. We see the Incas in the pictures at the church of Santa Ana at
Cuzco,” he continues.
“The color of the skin was many shades lighter than that of the
downtrodden descendants of their subjects. The forehead was
high, the nose slightly aquiline, the chin and mouth firm, the
whole face majestic, refined, and intellectual. The hair was
gracefully arranged, and around the head was the _llantu_, the
sign of sovereignty. The _llantu_ appears to have been a short
piece of red fringe on the forehead, fastened around the head by
two bands. It was habitually worn, but, when praying, the Inca
took it off and put it on the ground beside him. The ceremonial
headdress was the _mascapaycha_, a golden semicircular miter on
the forehead, to which the _llantu_ was fastened. Bright colored
feathers were fixed on the sides and the plume” (of black and
white falcon feathers, he says in another place) “rose over the
summit. Long golden eardrops came down to the shoulders. The
tunic and mantel varied in color and were made of the finest
vicuna wool. On the breast the Incas wore a golden semicircular
breastplate, representing the sun, with a border of signs for
the months.
Public-domain text, read in full here on John Shaqi.
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