"To drawe folk to Heaven by fairnesse By good ensample, this was his busynesse. For Christe's lawe and his apostles twelve He taught, but first he followed it himself." A rough jolt over the wide bare plain; a heavy rainstorm blurring the bleak mountains of the Turkish frontier; no living being in sight save an Albanian woman with her few sheep cowering under the lee of a bush; cut off from the rest of the world by the enshrouding mist, we drove over one of the desolate places of the earth in quest of the little church among the rocks. Of a sudden the sun burst through, hot and brilliant; the plain quivered, golden and glittering, through the rising steam; the clouds parted and rolled back, and revealed the mountains all around us, fiercely, vividly blue, and as lonely as the day they were created. Two small rocky hills rose up out of the plain, and our driver pulled up suddenly. "You must go on foot," he said; "it is not far," and he pointed to a stony track round the hillside. Doubtfully we started among the rocks and wild pomegranates, till turning a corner we struck a well-marked footpath, and saw the tall black-robed figure of our friend awaiting us at the top of the ascent. "I saw a carriage across the plain," he said, as he came forward, "and I knew it must be you." He welcomed us cordially, and turned towards his little domain. A bare stone wall built up against the hillside with a big wooden cross at the top, and a tiny cottage with a patch of cultivated ground close by, were all that could be seen of it. All around were wild and untouched rock and bush. "My little church," he said, as he led the way to the entrance, "was not built by hands. It was made by God. His church among the rocks." He crossed himself, and we entered. He lit a taper and held it aloft. We were in a long narrow cavern, water-worn, with traces of stalactite deposit on the rough walls. At the farther end the altar candles burned brightly, lighting up the picture of Our Lady over it, and making the rest of the cave darker by contrast. "See," he said, "it is veritably a church! Is it not in the form of a cross?" and he showed us how a smaller cave opened into it on either side, making a rude nave and transept. The walls at the chancel end were painted with saints and angels, quaint and stiff, their archaic Byzantine forms in perfect keeping with the rough surroundings, and therefore true decoration. "When I have celebrated the Messe here," he continued, "when I have prayed all alone in the silence, then holy things come to me, pictures, vous savez, and I paint them here upon the wall." He held up his taper and threw light upon a great head of Christ. "This is the last I have made. There is no paint left," he added simply. "Nor do I know really which is the proper way to use it. I cannot, I think, take long to learn. My poor attempts, they give pleasure to my people, and they understand."