She lay down for one last lustral wallow, closing her eyes with a calm sensation of new dignity and refreshment. The cool water held her in peaceful lightness, lifting away whatever was agitated and strange. For a moment body and spirit were harmoniously one, floating in a pure eddy of Time. I feel like a nun, she thought. She rose, trickling, threw the big towel round her shoulders, and studied herself in the long mirror. Really, I’m not much more than a child, she mused happily, admiring the slender, short-haired figure in the glass. Or perhaps I feel like a harlot ... a courtesan, nicer-sounding word. Discarding the towel she struck a humorous parody of the Venus Aphrodite attitude, and then felt a little shocked. She could feel her cheeks warming. She remembered George’s coarse remark when they saw the statue. “It’s no use,” he said. “Two hands can’t do it. Any one as timid as that needs three.” She sang a little refrain, trying different tunes for it. She couldn’t remember whether she had heard it, or just made it up: _What did Mrs. Shakespeare do When William went away?_ The soft flutter of maple leaves outside the window was like a soothing whisper. From the other side of the house she could hear the click of croquet mallets and balls. Time for the children to have their supper, or they won’t be finished before the others get here. Thank goodness it was cooler, Lizzie wouldn’t be so harassed. Wrapping her silk kimono round her, she looked out of the window. Lizzie’s flag was still flying. With a rough delicacy of her own, the cook did not like to run out her private washing on the family line, so she had strung a cord from the kitchen door to a branch of the maple tree. There, floating like a hoist of signal buntings, were Lizzie’s personalia: all the more conspicuous for her mistaken modesty. They were indeed (it was George who had said it) like a string of code flags: a blue apron, a yellow shirt, a pair of appalling red breeches. George always wanted to know to whom Lizzie might be signalling with these homely pennants. They _are_ a kind of signal, Phyllis thought. A signal that life goes on, notifying any other household within eyeshot that here too the humble routine of kitchen and washtub and ironing board, of roof and meat and sleep, triumphs in the end over the wildest poet’s dream. Shakespeare would have relished them, and been pleased to see these bright ensigns hoisted so frankly in the yellow air.