Dressed in a gauzy drift of white and silver, she paused at the
cushioned bay windows by the head of the stair. Her body enjoyed that
mixed feeling of snug enclosure and airy freedom which is the triumph
of feminine costume. Even her inward self shared something of this
sensation: within the softly sparkling raiment of thought she was
aware of her compact kernel of identity--tranquil for the moment, but
privately apprehensive and alert. On the oval grass plot Martin was
playing croquet with the children. Janet, nicely adjusting two tangent
balls with a bare brown foot, gave them a well-aimed swipe. Phyllis
heard the sharp wooden impact and Martin’s cry of good-humoured dismay
as his globe went spinning across the turf, leaving a darker stripe on
the wet lawn. It bounded over the gravel and into the bushes, right by
the corner where she had first seen him. She watched him chase it, lay
it on the edge of the turf, and drive it back. How graceful he was! He
raised his head with a little unconscious lift of satisfaction as he
watched the ball roll where he wanted it to lie.
A film seemed to have been skimmed from her eyes. Perhaps it was that
level stream of evening light: the figures moved in a godlike element
of lustre: every motion was perfect, expressed the loveliness for
which life was intended, was unconscious and exact as the movements
of animals. They were immersed in their game as though there were no
past, no future: she felt she could watch them for ever. Martin’s face,
gravely intent, bent over his ball. She saw the straight slope of his
back against the screen of shrubs. The mallet clicked, there was a
sharp tinkle as the ball went through the middle hoop, touching the
little bell that hung there. How can any one look so charming and yet
be so hard to talk to?
Through the scooped hollow of the dunes, catching tawny sparks from the
sand, violet dazzles from the sea, the cleansed radiance of sunset
came pouring in. The children’s bare legs splashed in brightness as
though they were paddling; honey-coloured light parted and closed again
about their ankles, the wet shadows dripped and trailed under their
feet. The house, growing dusky, was a dyke stemmed in the onset of that
pure flood. It caught and held as much darkness as it could; the rest
went whirling out. As if in answer to the little croquet bell, the old
clock in the hall whirred and jangled six hoarse clanking strokes. They
eddied a moment and then were whiffed away by the strong, impalpable
current that seemed to be sweeping through. You could tell, by the dull
sound, that the gong was rusty. No wonder, a house by the seashore,
empty so long.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account