She stood holding the screen door aside, welcoming them in. George,
coming last, saw how her cheerful smile faded to expressionless blank
when the guests had passed. She had relapsed into automatic Hostess.
How lonely she must be to look like that. I wish it was over, he
thought. His mind felt like a spider that has caught several large
flies at once: the delicate web was in danger of breaking.
They entered the hall.
“It isn’t changed a bit!” Ruth said. “Exactly as I remember it--except
it seems smaller. That old table, for instance, that used to be just
enormous. Well, hot water first. I can sentimentalize much better when
I’m clean.”
George was thinking: Ruth’s probably the kind of woman who always
twists the toothpaste tube crooked, but her babble will help us around
corners.
“I hope Miss Clyde won’t mind being in the little sitting room
downstairs: you see we’re just camping out here, you must all make
yourselves at home.”
Joyce tried to frame some appropriate reply to Phyllis’s clear, faintly
hostile voice. She was in the tranced uneasiness of revisit. Coming
from the station she had been trying to realize the Island again: her
mind was startled by the permanence of the physical world. Things she
had not thought of for so long--things that she had apparently been
carrying, unawares, in memory--were still there, unaltered, reproaching
her own instability. The planks of the station platform, the old scow
rotting in the mud, the road of crushed oyster shells, the same vacancy
of sand and sky.
In the car she and George were both achingly mute. There seemed to be
a sheet of glass between them. The Brooks emitted cheerful chatter
from the back seat, George replied with bustling geniality, his only
mask. How wonderful if they could just have made this ride in silence;
she had a feeling that all sorts of lovely meanings were escaping
her. There was the notch of blue light where the road slipped over
a prickling horizon of pines. How just right were the slopes of the
puppy-coloured sand hills, the tasselled trees against the pure lazy
air, the coloured veining of the fields. Now, now; here, here; I’m here
and now, she had to remind herself. It’s God’s world, whatever that can
mean. Golly, you must be careful how you make fun of religion: it’s
a form of art. She imagined a painting of that aisle of sandy road,
climbing through the tall resiny grove. _Religion_ would be a good name
for it.--George had never seemed so far away as now when she sat beside
him. Would it always be like that? Oh, teach yourself not to love
things, she thought. Be indifferent. It’s love that causes suffering,
it’s tenderness that weighs heavy on the heart. How ridiculous to say
that God loves the world. He doesn’t give a damn about it, really.
That’s why He’s so cheerful ... such a competent artist. His hand
doesn’t shake. Still, I don’t think I want to meet Him. It’s a mistake
to meet artists you admire; they’re always disappointing.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account