England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
The chairman excited enthusiasm by announcement of a song by Mr. Sam
Coppock--known to the company as 'Chaffy Sem.' Sam was a young man who
clearly had no small opinion of himself; he wore a bright-blue necktie,
and had a geranium flower in his button-hole; his hair was cut as short
as scissors could make it, and as he stood regarding the assembly he
twisted the ends of a scarcely visible moustache. When he fixed a round
glass in one eye and perked his head with a burlesque of aristocratic
bearing, the laughter and applause were deafening.
'He's a warm 'un, is Sem!' was the delighted comment on all hands.
The pianist made discursive prelude, then Mr. Coppock gave forth a
ditty of the most sentimental character, telling of the disappearance
of a young lady to whom he was devoted. The burden, in which all bore a
part, ran thus:
We trecked 'er little footprints in the snayoo,
We trecked 'er little footprints in the snayoo,
I shall ne'er forget the d'y
When Jenny lost her w'y,
And we trecked 'er little footprints in the snayoo!
It was known that the singer had thoughts of cultivating his talent and
of appearing on the music-hall stage; it was not unlikely that he might
some day become 'the great Sam.' A second song was called for and
granted; a third--but Mr. Coppock intimated that it did not become him
to keep other talent in the background. The chairman made a humorous
speech, informing the company that their friend would stand forth again
later in the evening. Mr. Dick Perkins was at present about to oblige.
The Vice was a frisky little man. He began with what is known as
'patter,' then gave melodious account of a romantic meeting with a
damsel whom he had seen only once to lose sight of for ever. And the
refrain was:
She wore a lov-e-lie bonnet
With fruit end flowers upon it,
End she dwelt in the henvirons of 'Ol-lo-w'y!
As yet only men had sung; solicitation had failed with such of the
girls as were known to be musically given. Yet an earnest prayer from
the chairman succeeded at length in overcoming the diffidence of one.
She was a pale, unhealthy thing, and wore an ugly-shaped hat with a
gruesome green feather; she sang with her eyes down, and in a voice
which did not lack a certain sweetness. The ballad was of springtime
and the country and love.
Underneath the May-tree blossoms
Oft we've wandered, you and I,
Listening to the mill-stream's whisper,
Like a stream soft-gliding by.
The girl had a drunken mother, and spent a month or two of every year
in the hospital, for her day's work overtaxed her strength. She was one
of those fated toilers, to struggle on as long as any one would employ
her, then to fall among the forgotten wretched. And she sang of
May-bloom and love; of love that had never come near her and that she
would never know; sang, with her eyes upon the beer-stained table, in a
public-house amid the backways of Lambeth.
Totty Nancarrow was whispering to Thyrza:
Public-domain text, read in full here on John Shaqi.
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