England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
'Sing something, old girl! Why shouldn't you?'
Annie West was also at hand, urging the same.
'Let 'em hear some real singing, Thyrza. There's a dear.'
Thyrza was in sore trouble. Music, if it were but a street organ,
always stirred her heart and made her eager for the joy of song. She
had never known what it was to sing before a number of people; the
prospect of applause tempted her. Yet she had scarcely the courage, and
the thought of Lydia's grief and anger--for Lydia would surely hear of
it--was keenly present.
'It's getting late,' she replied nervously. 'I can't stay; I can't sing
to-night.'
Only one or two people in the room knew her by sight, but Totty had led
to its being passed from one to another that she was a good singer. The
landlord of the house happened to be in the room; he came and spoke to
her.
'You don't remember me, Miss Trent, but I knew your father well enough,
and I knew you when you was a little 'un. In those days I had the
"Green Man" in the Cut; your father often enough gave us a toon on his
fiddle. A rare good fiddler he was, too! Give us a song now, for old
times' sake.'
Thyrza found herself preparing, in spite of herself. She trembled
violently, and her heart beat with a strange pain. She heard the
chairman shout her name; the sound made her face burn.
'Oh, what shall I sing?' she whispered distractedly to Totty, whilst
all eyes were turned to regard her.
'Sing "A Penny for your thoughts."'
It was the one song she knew of her father's making, a half-mirthful,
half-pathetic little piece in the form of a dialogue between husband
and wife, a true expression of the life of working folk, which only a
man who was more than half a poet could have shaped.
The seedy youth at the piano was equal to any demand for accompaniment;
Totty hummed the air to him, and he had his chords ready without delay.
Thyrza raised her face and began to sing. Yes, it was different enough
from anything that had come before; her pure sweet tones touched the
hearers profoundly; not a foot stirred. At the second verse she had
grown in confidence, and rose more boldly to the upper notes. At the
end she was singing her best--better than she had ever sung at home,
better than she thought she could sing. The applause that followed was
tumultuous. By this time much beer had been consumed; the audience was
in a mood for enjoying good things.
'That's something like, old girl!' cried Totty, clapping her on the
back. 'Have a drink out of my glass. It's only ginger-beer; it can't
hurt you. This is jolly! Ain't it a lark to be alive?'
The pale-faced girl who had sung of May-blossoms looked across the
table with eyes in which jealousy strove against admiration. There were
remarks aside between the men with regard to Thyrza's personal
appearance.
Public-domain text, read in full here on John Shaqi.
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